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igging a well twenty-five feet deep and fifteen in diameter. She was converted to Christianity, and when she was eighty years old, she held out the crippled hands with which she had labored all her life and sang: "Nothing in my hands I bring." A missionary to India once sought the aid of a Hindu to translate the hymn into one of the numerous dialects of India. The result was not so happy. The opening words were: Very old stone, split for my benefit, Let me get under one of your fragments. This is a fair example of the difference between poetry and prose. The translator was faithful to the idea, but how common-place and unfortunate are his expressions when compared with the language of the original! The Coronation Hymn All hail the power of Jesus' Name! Let angels prostrate fall; Bring forth the royal diadem, And crown Him Lord of all. Ye seed of Israel's chosen race, Ye ransomed from the fall, Hail Him, who saves you by His grace, And crown Him Lord of all. Hail Him, ye heirs of David's line, Whom David Lord did call; The Lord incarnate, Man divine, And crown Him Lord of all. Sinners, whose love can ne'er forget The wormwood and the gall; Go, spread your trophies at His feet, And crown Him Lord of all. Let every kindred, every tribe, On this terrestrial ball To Him all majesty ascribe, And crown Him Lord of all. O that with yonder sacred throng We at His feet may fall! We'll join the everlasting song, And crown Him Lord of all. Edward Perronet, 1779. THE BIRD OF A SINGLE SONG Some men gain fame through a long life of work and achievement; others through a single notable deed. The latter is true in a very remarkable sense of Edward Perronet, author of the Church's great coronation hymn, "All hail the power of Jesus' Name." "Perronet, bird of a single song, but O how sweet!" is the charming tribute of Bishop Fess in referring to this inspired hymn and its author. Although Perronet was a man of more than ordinary ability, his name probably would have been lost to posterity had he not written the coronation hymn. An associate of the Wesleys for many years, Perronet also wrote three volumes of sacred poems, some of unusual merit. All of them, however, have been practica
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