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ame against her dress-maker, if some point of fashion be violated by her? Must we not fear that animal impulse will control her actions? I recommend no courtly airs, no studying of gesture, or look. But I must think that, simplicity, freedom from pretence and affectation, modesty, self-possession, escaping both reserve and boldness, and a perfectly frank, truth-speaking manner, are deserving the culture of every female, who seeks the true adorning, and who would give pleasure, and do good, to others. Octavia was none the less marked by a Roman severity of virtue, because gentleness and grace shone through her bearing. Neither is the Christian woman the more pious, for an utter disregard of the courtesies of life. But lest some should misinterpret these remarks, I will add that there must be grace at heart. Kind Feelings, or the most accomplished manners are but a splendid hypocrisy. Avoid discourtesy, but avoid still more a hollow, insincere, merely outward, gracefulness. If the feelings be correct, the manner will usually be so. Corregio painted three furies, represented by as many young women, with beautiful forms and regular features. Looking intently on the hair, you might see a single serpent wreathed in its tresses; and studying the expression of their countenances, you detected in them cunning, malice, and cruelty. Such "beauty" and grace are truly "vain." No single quality is so essential in society as a willingness to be pleased. "There is one art," says a late writer, "which those whose object it is to charm, would do well to cultivate, the art of being charmed. For it rescues many an hour from listlessness and discontent, by freshening all the springs of life and action, awakening in old age the energy of youth, and persuading the weary and desponding that they have still the power to please, and that even for them the world has happiness in store." Opposed to this stands caprice, a morbid desire of attention, a self-consequence, which would draw all eyes and all thoughts to its own important person. This spirit is full of coldness, jealousy, and every unamiable sentiment. Let the young woman forget herself, and study the feelings of others. She will then notice the modest, encourage the diffident, and strive to call forth concealed talent and virtue. She will scrupulously avoid all allusions, that would give pain to the hearer. His ill-fortune, the trade he pursues, if unpopular, or his low extraction
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