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The Project Gutenberg EBook of In Madeira Place, by Heman White Chaplin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: In Madeira Place 1887 Author: Heman White Chaplin Release Date: October 12, 2007 [EBook #23004] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IN MADEIRA PLACE *** Produced by David Widger IN MADEIRA PLACE 1887 By Heman White Chaplin Turning from the street which follows the line of the wharves, into Madeira Place, you leave at once an open region of docks and spars for comparative retirement. Wagons seldom enter Madeira Place: it is too hard to turn them in it; and then the inhabitants, for the most part, have a convenient way of buying their coal by the basket. How much trouble it would save, if we would all buy our coal by the basket! A few doors up the place a passageway makes off to the right, through a high wooden gate that is usually open; and at the upper corner of this passage stands a brick house, whose perpetually closed blinds suggest the owner's absence. But the householders of Madeira Place do not absent themselves, even in summer; they could hardly get much nearer to the sea. And if you will take the pains to seat yourself, toward the close of day, upon an opposite doorstep, between two rows of clamorous little girls sliding, with screams of painful joy, down the rough hammered stone, to the improvement of their clothing, you will see that the house is by-no means untenanted. Every evening it is much the same thing. First, following close upon the heels of sunset, comes a grizzly, tall, and slouching man, in the cap and blouse of a Union soldier, bearing down with his left hand upon a cane, and dragging his left foot heavily behind him, while with his right hand he holds by a string a cluster of soaring toy balloons, and also drags, by its long wooden tongue, a rude child's cart, in which is a small hand-organ. Next will come, most likely, a dark, bent, keen-eyed old woman, with her parchment face shrunk into deep wrinkles. She bears a dangling placard, stating, in letters of white upon a patent-leather background, what you might not otherwise suspect,--that she was a soldier under
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