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teeped himself in Spenser and the other Elizabethans. They were his literary ancestors by as indisputable an inheritance as a Masefield or a Kipling could claim. He had been brought up to revere Pope. Then he surrendered to Wordsworth and Keats and Shelley, and his earlier verses, like the early work of Tennyson, are full of echoes of other men's music. It is also true that in spite of his cleverness in versifying, or perhaps because of it, he usually showed little inventiveness in shaping new poetic patterns. His tastes were conservative. He lacked that restless technical curiosity which spurred Poe and Whitman to experiment with new forms. But Lowell revealed early extraordinary gifts of improvisation, retaining the old tunes of English verse as the basis for his own strains of unpremeditated art. He wrote "A Fable for Critics" faster than he could have written it in prose. "Sir Launfal" was composed in two days, the "Commemoration Ode" in one. It was this facile, copious, enthusiastic poet, not yet thirty, who grew hot over the Mexican War and poured forth his indignation in an unforgettable political satire such as no English provincial poet could possibly have written. What a weapon he had, and how it flashed in his hand, gleaming with wit and humor and irony, edged with scorn, and weighted with two hundred years of Puritan tradition concerning right and wrong! For that, after all, was the secret of its success. Great satire must have a standard; and Lowell revealed his in the very first number and in one line: "'T aint your eppylets an' feathers Make the thing a grain more right." Some readers to-day dislike the Yankee dialect of these verses. Some think Lowell struck too hard; but they forget Grant's characterization of the Mexican War as "one of the most unjust ever waged by a stronger against a weaker nation." There are critics who think the First Series of "Biglow Papers" too sectional; an exhibition of New England's ancient tendency towards nullification of the national will. No doubt Lowell underestimated the real strength of the advocates of national expansion at any cost. Parson Wilbur thought, you remember, that "All this big talk of our destinies Is half on it ign'ance an' t'other half rum." Neither ignorance nor rum was responsible for the invasion of Belgium; but at least one can say that the political philosophy which justifies forcible annexation of territory is taught to
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