vanni Battista and S.
Sebastiano, namely, both highly extolled.[4] There is a picture by the
hand of Rondinello in the church of S. Spirito likewise; the subject,
Our Lady between S. Jerome and the virgin martyr S. Catherine.[5] In
S. Francesco, Rondinello painted two pictures, in one of which are S.
Catherine and S. Francesco; while in the other our artist depicted the
Madonna accompanied by many figures, as well as by the apostle S.
James and by S. Francesco.[6] For the church of S. Domenico,
Rondinello painted two pictures; one is to the left of the high altar
and exhibits Our Lady with numerous figures; the other is on the
fagade of the church and is very beautiful.[7] In the church of S.
Niccolo, a monastery of Augustinians, this master painted a picture
with S. Lorenzo and S. Francesco, a work which was most highly
commended, in so much that it caused Rondinello to be held in the
utmost esteem for the remainder of his life, not in Ravenna only, but
in all Romagna.[8] The painter here in question lived to the age of
sixty years, and was buried in S. Francesco at Ravenna."[9]
[Footnote 1: This picture would seem to be lost.]
[Footnote 2: This picture is now in the Brera at Milan, No. 452.]
[Footnote 3: This picture would seem to be lost. Milanesi says it was
taken to Milan. _Vas_. v. 254, n. 2.]
[Footnote 4: There is a Sebastian by this master in the Duomo at
Forli; the S. Giovanni panel seems to be lost.]
[Footnote 5: This is now in the Accademia of Ravenna, No. 6.]
[Footnote 6: This would seem to have disappeared; but cf. Brera, 455.]
[Footnote 7: The first of these remains in S. Domenico, the other is,
I think, now in the Accademia, No. 7.]
[Footnote 8: This picture, too, seems to be lost.]
[Footnote 9: Vasari (trs. Foster), vol. III. pp 382-384.]
In another place, Vasari tells us that the pupil who copied Giovanni
Bellini most closely and did him most honour was "Rondinello of
Ravenna, of whose aid the master availed himself much in all his
works.... Rondinello painted his best work for the church of S.
Giovanni Battista in Ravenna. The church belongs to the Carmelite
Friars and in the painting, besides a figure of Our Lady, Rondinello
depicted that of S. Alberto, a brother of their order;[10] the head of
the saint is extremely beautiful, and the whole work very highly
commended."[11]
[Footnote 10: Now in the Accademia, unnumbered; it represents the
Madonna between S. Alberto and S. Sebas
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