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_, of this class of works, the tendency of which is in most instances of questionable character. But they give a tone to the reading taste of the day, as the recent circumstance of two of them forming the first subject of three _literary_ reviews will sufficiently attest. The work to which we specially allude, is _Matilda, a Tale of the Day_, the noble author of which has just produced another of the same stamp, entitled _Yes and No_, to whose sketches and portraits we shall shortly introduce our readers. It will be seen that his lordship is no mean artist, nor does he belong to the novel-making tribe, whose hole-and-corner curiosity has made us as familiar with the _Corso_ as we are with our own Bond-street. But the following snatch from _Yes and No_ proves that these smatterers of fashion--these clippers of reputation--are encouraged by some portion of that class whose vanities they affect to expose:-- SCENE--_A "Hall" in the Country._ "It is always as well here to know who one's next neighbour is," continued Fitzalbert, "for this is not one of those snug parties where one can do or say what one pleases without observation." "How do you mean?" asked Germain. "Why, Lady Boreton encourages these literary poachers on the manors, or rather _manners_ of high life; she gives a sort of right of free chase to all cockney sportsmen to wing one's follies in a double-barrelled duodecimo, or hunt one's eccentricities through a hot-pressed octavo. Not that they are, generally speaking, very formidable shots--they often bring down a different bird from the one they aimed at, and sometimes shut their eyes and blaze away at the whole covey; which last is, after all, the best way. Their coming here to pick out individuals is needless trouble. Do you know the modern recipe for a finished picture of fashionable life? Let a gentleman_ly_ man, with a gentleman_ly_ style, take of foolscap paper a few quires; stuff them well with high-sounding titles--dukes and duchesses, lords and ladies, _ad libitum_. Then open the peerage at random, pick a supposititious author out of one page of it, and fix the imaginary characters upon some of the rest; mix it all up with quantum suff. of puff, and the book is in a second edition before ninety-nine readers out of a hundred have found out the one is as little likely to have written, as the others to have done what is attributed to them." Again--here is a picture of the guests: "Captains that have b
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