make any effort. Too young to feel any
responsibilities, and not yet awake to any ambition, he became so
negligent that he was 'rusticated' [that is, sent away from college
for a time]. He came back sobered, and worked rather more, but with
no effort for college rank thenceforward."

I must finish the portrait of the collegian with all its lights and
shadows by the help of the same friends from whom I have borrowed the
preceding outlines.

He did not care to make acquaintances, was haughty in manner and cynical
in mood, at least as he appeared to those in whom he felt no special
interest. It is no wonder, therefore, that he was not a popular favorite,
although recognized as having very brilliant qualities. During all this
period his mind was doubtless fermenting with projects which kept him in
a fevered and irritable condition. "He had a small writing-table," Mr.
Phillips says, "with a shallow drawer; I have often seen it half full of
sketches, unfinished poems, soliloquies, a scene or two of a play, prose
portraits of some pet character, etc. These he would read to me, though
he never volunteered to do so, and every now and then he burnt the whole
and began to fill the drawer again."

My friend, Mr. John Osborne Sargent, who was a year before him in
college, says, in a very interesting letter with which he has favored me:

"My first acquaintance with him [Motley] was at Cambridge, when he
came from Mr. Cogswell's school at Round Hill. He then had a good
deal of the shyness that was just pronounced enough to make him
interesting, and which did not entirely wear off till he left
college. . . I soon became acquainted with him, and we used to take
long walks together, sometimes taxing each other's memory for poems
or passages from poems that had struck our fancy. Shelley was then
a great favorite of his, and I remember that Praed's verses then
appearing in the 'New Monthly' he thought very clever and brilliant,
and was fond of repeating them. You have forgotten, or perhaps
never knew, that Motley's first appearance in print was in the
'Collegian.' He brought me one day, in a very modest mood, a
translation from Goethe, which I was most happy to oblige him by
inserting. It was very prettily done, and will now be a curiosity.
. . . How it happened that Motley wrote only one piece I do not
remember. I had the pleasure about that time of initiating him as a
me