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n fresh form much of the nauseous detail which had been visible earlier. The worst parts were the great masses of the flesh of the monstrous Worm, in all its red and sickening aspect. Such fragments had been bad enough before, but now they were infinitely worse. Corruption comes with startling rapidity to beings whose destruction has been due wholly or in part to lightning--the whole mass seemed to have become all at once corrupt! The whole surface of the fragments, once alive, was covered with insects, worms, and vermin of all kinds. The sight was horrible enough, but, with the awful smell added, was simply unbearable. The Worm's hole appeared to breathe forth death in its most repulsive forms. The friends, with one impulse, moved to the top of the Brow, where a fresh breeze from the sea was blowing up. At the top of the Brow, beneath them as they looked down, they saw a shining mass of white, which looked strangely out of place amongst such wreckage as they had been viewing. It appeared so strange that Adam suggested trying to find a way down, so that they might see it more closely. "We need not go down; I know what it is," Sir Nathaniel said. "The explosions of last night have blown off the outside of the cliffs--that which we see is the vast bed of china clay through which the Worm originally found its way down to its lair. I can catch the glint of the water of the deep quags far down below. Well, her ladyship didn't deserve such a funeral--or such a monument." * * * * * The horrors of the last few hours had played such havoc with Mimi's nerves, that a change of scene was imperative--if a permanent breakdown was to be avoided. "I think," said old Mr. Salton, "it is quite time you young people departed for that honeymoon of yours!" There was a twinkle in his eye as he spoke. Mimi's soft shy glance at her stalwart husband, was sufficient answer. ***END OF THE PROJECT GUTENBERG EBOOK THE LAIR OF THE WHITE WORM*** ******* This file should be named 1188.txt or 1188.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/1/8/1188 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission
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