goose, peasant following with stick:
Birds pruning their feathers: (Within Bubwith's chapel) Human monster
with fish's tail, holding a fish: Bird holding frog in his beak, which
is extremely long and delicate.

_Ninth Pier._--Pedlar carrying his pack on his shoulders, a string of
large beads in one hand.

Toothless monster, with hands on knees.

_South side, seventh Pier._--Birds with human heads, one wearing a
mitre.

_Eighth Pier._--Peasant, with club, seized by a lion: Bird with
curious foliated tail: (Within St. Edmund's chapel) Owl: Peasant with
mallet (?).

The lofty clerestory windows are divided into two lights by
Perpendicular tracery of late fourteenth or early fifteenth century
date, which extends to the level of the passage, the lower part being
filled with masonry. The windows were not, however, altered in shape
when the tracery was inserted. In the tracery are very slight traces
of the old glass.

The triforium passage is capacious enough to form a large tunnel,
which gives a good effect to its lancet openings. The small iron
rings, which are prominent enough to be rather tiresome to the eye,
were recently inserted for the use of those engaged in cleaning the
walls. Within the passage additional arches may be seen, inserted to
strengthen the arcade at the commencement of the later work and in
other places.

The groined ceiling has carved bosses at the intersection of its ribs.
The red pattern is a restoration of the old design which was found on
the removal of the whitewash, but the restorer seems to have missed
the right tints.

There is a music-gallery in the clerestory of the sixth bay on the
south side; it is composed of three panels with quatrefoils containing
plain shields, and is finished with an embattled cornice. Another
gallery, perhaps for an organ, must have been supported by the two
noticeable brackets on the spandrels of the fourth bay of the same
side. One may conjecture that it was of wood, and was reached from the
triforium. The brackets are carved in the shape of very large heads of
a bishop and a king, both supported by smaller heads, and of an
extremely benevolent expression. The hair of the king has that curious
formal twist with which we are familiar on playing-cards. As some of
the small heads in the chapter-house have the same style of hair,
these two brackets probably belong to the end of the thirteenth
century.

[Illustration: A Capital--toothache.]

Sir John Harri