to judge by their costume they
should belong to Creyghton's own time; moreover, on the southern one
are Creyghton's arms. Apparently the compositions at the extreme top
and bottom of the middle light are much later; a little handbook on
the cathedral by Mr John Davies, the verger in 1814, states that the
then dean and chapter re-arranged and restored the window in 1813;
these additions must belong to that time, and according to him they
were brought from Rouen. Their ugly reds and blues certainly do not
blend with the earlier glass, as do the figures of Ina and Ralph, but
considerably mar the mellow and delicate effect of the whole. There
are only a few slight fragments of old glass in the other windows.
There are also two modern windows at the west end of the aisles.

[Illustration: View Across Nave, Shewing Sugar's And Bubwith's
Chapels.]

BISHOP BUBWITH'S CHANTRY CHAPEL.--Two chantry chapels stand opposite
each other under the ninth pier-arches of the nave. They are alike in
general characteristics, though there is an interval of sixty years
between them. The chantry of Bishop Bubwith (_ob._ 1424), who built
the north-west tower, is formed by a hexagonal screen between the
piers, the three eastern sides being filled with a reredos that gives
the chapel a square appearance within. The screen is composed of the
most light and elaborate tracery, its corners surmounted by a crest;
it is open above, but has a rather coarsely-carved canopy over where
the altar stood. Doorways, whose jambs are too delicately carved to
have ever carried doors, give free access and a clear view of the
interior from either side. Altogether it was an ideal place for votive
Celebrations, when but few worshippers were present. The niches over
the altar have been hacked level with the wall, and the little pillar
piscina is also defaced. The triple shafts of the pier at the western
end are corbelled off, the corbel being carved with Bubwith's arms
(argent, a fess engrailed sable between twelve holly leaves vert, 4,
4, 4, and 4, arranged in quadrangles) impaled with those of the see.
The altar here was formerly dedicated to St. Saviour.

SUGAR'S CHANTRY.--In the ninth bay of the nave, on the south side, is
the chantry of Treasurer Hugh Sugar. Before its erection, the altar of
St. Edmund of Canterbury, who was canonised in 1246, stood here; and
perhaps, when it comes to be used again, it will be maintained in
honour of that most attractive schola