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of the soil. But ungracious Nature kept fast hold of the mind of Dennis! His personal manners were characterised by their abrupt violence. Once dining with Lord Halifax he became so impatient of contradiction, that he rushed out of the room, overthrowing the sideboard. Inquiring on the next day how he had behaved, Moyle observed, "You went away like the devil, taking one corner of the house with you." The wits, perhaps, then began to suspect their young Zoilus's dogmatism. The actors refused to perform one of his tragedies to empty houses, but they retained some excellent thunder which Dennis had invented; it rolled one night when Dennis was in the pit, and it was applauded! Suddenly starting up, he cried to the audience, "By G--, they wont act my tragedy, but they steal my thunder!" Thus, when reading Pope's "Essay on Criticism," he came to the character of Appius, he suddenly flung down the new poem, exclaiming, "By G--, he means me!" He is painted to the life. _Lo!_ _Appius reddens_ at each word you speak, And stares tremendous with a threatening eye, Like some fierce tyrant in old tapestry. I complete this picture of Dennis with a very extraordinary caricature, which Steele, in one of his papers of "The Theatre," has given of Dennis. I shall, however, disentangle the threads, and pick out what I consider not to be caricature, but resemblance. "His motion is quick and sudden, turning on all sides, with a suspicion of every object, as if he had done or feared some extraordinary mischief. You see wickedness in his meaning, but folly of countenance, that betrays him to be unfit for the execution of it. He starts, stares, and looks round him. This constant shuffle of haste without speed, makes the man thought a little touched; but the vacant look of his two eyes gives you to understand that he could never run out of his wits, which seemed not so much to be lost, as to want employment; they are not so much astray, as they are a wool-gathering. He has the face and surliness of a mastiff, which has often saved him from being treated like a cur, till some more sagacious than ordinary found his nature, and used him accordingly. Unhappy being! terrible without, fearful within! Not a wolf in sheep's clothing, but a sheep in a wolf's."[39] However anger may have a little coloured this portrait, its truth may be confirmed from a variety of sources. If Sallust, with his accustomed penetration in characterising
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