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with consideration, as the confessions and statements of genius itself. In mixing them with my own feelings, let me apply a beautiful apologue of the Hebrews--"The clusters of grapes sent out of Babylon implore favour for the exuberant leaves of the vine; for had there been no leaves, you had lost the grapes." FOOTNOTES: [1] A modern writer observes, that "Valeriano is chiefly known to the present times by his brief but curious and interesting work, _De Literatorum Infelicitate_, which has preserved many anecdotes of the principal scholars of the age, not elsewhere to be found."--ROSCOE'S _Leo X._ vol. iv. p. 175. [2] There is also a bulky collection of this kind, entitled, _Analecta de Calamitate Literatorum_, edited by Mencken, the author of _Charlataneria Eruditorum_. [3] From the Grecian _Psyche_, or the soul, the Germans have borrowed this expressive term. They have a _Psychological Magazine_. Some of our own recent authors have adopted the term peculiarly adapted to the historian of the human mind. AUTHORS BY PROFESSION. GUTHRIE AND AMHURST--DRAKE--SMOLLETT. A great author once surprised me by inquiring what I meant by "an Author by Profession." He seemed offended at the supposition that I was creating an odious distinction between authors. I was only placing it among their calamities. The title of AUTHOR is venerable; and in the ranks of national glory, authors mingle with its heroes and its patriots. It is indeed by our authors that foreigners have been taught most to esteem us; and this remarkably appears in the expression of Gemelli, the Italian traveller round the world, who wrote about the year 1700; for he told all Europe that "he could find nothing amongst us but our writings to distinguish us from the worst of barbarians." But to become an "Author by Profession," is to have no other means of subsistence than such as are extracted from the quill; and no one believes these to be so precarious as they really are, until disappointed, distressed, and thrown out of every pursuit which can maintain independence, the noblest mind is cast into the lot of a doomed labourer. Literature abounds with instances of "Authors by Profession" accommodating themselves to this condition. By vile artifices of faction and popularity their moral sense is injured, and the literary character sits in that study which
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