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tus per vim mentis gratissimus error." FOOTNOTES: [Footnote 3: For an account of one of the most notorious of the public exhibitions of mesmeric clairvoyance, we refer the reader, who may feel sufficiently interested in the matter, to the papers of Dr Forbes in the _Lancet_, New Series, Vol. i. p. 581, and to the counter statement in the _Zoist_, Vol. ii. No. 7.] [Footnote 4: P. 316.] AESTHETICS OF DRESS. NO. II. ABOUT A BONNET. So then, having "put down" hats, we come to bonnets; this is the due order of things--hats should be taken off before bonnets always; "common politeness makes us stop and do it." And here, as the immortal Butler found it necessary in olden times to lament the perils that environed a man meddling with a hard subject, so we might well indulge in an ejaculation at what may be our fate if we presume to take liberties with the head-dress of the ladies. Actaeon, when he contemplated Diana _simplicem munditiis_, paid a severe penalty in the transformation of his own head; and so, perhaps, we may incur--but never mind; the task, worthy of a Hercules, (for the hydra of female fashion is more than hundred-headed,) must be gone through with, and the _scrivano umillimo_ must push his pen even under the pole of a lady's bonnet. The best-dressed woman in the world was our great-great-great progenitrix; we really cannot trace up the pedigree, but you all know whom we mean--your common mother and ours: we have the highest authority among our own poets for saying so. There can be no doubt that her _coiffure_ was perfect. It is a law of nature--it was true then--it has been true ever since--it is indisputable at the present day--the expressive beauty of a woman lies in her face: whatever, therefore, conceals the face is a disfigurement, and inherits the principle of the ugly. Ye who would study the aesthetics of human habiliments, look at the lovely lines of the female face; contemplate that fairest type of the animated creation; observe the soft emotions of her gentle soul, now shooting forth rays of tender light from between her long enclasping eyelashes, now arching her rosy lips into the playful lineaments of Cupid's mortal bow; or gaze upon the subdued and affectionate contentment of the maternal countenance--remember, while you were yet young, your mother's look of love, that look which was all-powerful to master your fiercest passions in your wildest mood--who will say that the f
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