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One day he was with me at the Cafe opposite Janot's, when two or three of the studio came in and sat at our table. There was the usual eager talk. The subject, the new impressionism. "But to understand it, you must be in the movement," cried Fougere, not dreaming of discourtesy. But Paragot took the saying to heart. "I see it now," said he afterwards. "I am no longer in the movement. You young men have passed me by. I am left stranded. You may ask why I don't seek the company of my own contemporaries? Who are they that know me, save worthless rags like Felicien Garbure? Stranded, my son. I have had my day." After that he refused to talk at such social gatherings as chance afforded, and moodily listened, while he consumed profitless alcohol. Then he began to frequent the low-life cafes of the Halles. When he had nearly poisoned himself with vile absinthe and sickened himself with the conversation of fishwives, he sent for me in despair. I found him half-dressed walking up and down the salon. He looked very ill. "I am going to leave Paris to-day," he began, as soon as I entered. "It is a city of Dead Sea apples. It has no place for me, save the sewer. I don't like the sewer. I am going away. I shall never come back to Paris again." "But where are you going, Master?" I asked in some surprise. He did not know. He would pack his bundle and flee like Christian from the accursed city. Like Christian he would go on a Pilgrim's Progress. He would seek sweet pure things. He would go forth and work in the fields. The old life had come to an end. The sow had been mistaken. It could not return to its wallowing in the mire. Wallowing was disgustful. Was ever man in such a position? The vagabond life had made the conventions of civilisation impossible. The contact with convention and clean English ways had killed his zest for the old order of which only the mud remained. There was nothing for it but to leave Paris. He poured out his heart to me in a torrent of excited words, here and there none too coherent. He must work. He had lost the great art by which he was to cover Europe with palaces. That was no longer. "My God!" said he stopping short. "The true knowledge of it has only come to me lately. I was living in a Fool's Paradise. I could never have designed a building. I should have lived on her bounty. Thank God I was saved the shame of it." He went on. Again he repeated his intention of leaving Paris. I m
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