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feeling of embarrassment, of compunction. It seemed to him that he must have sat with his eyes riveted on her. Resolutely, he turned them toward the stage until the poignant sweetness of the intermezzo began to dream through his consciousness as an echo of "that melody born of melody which melts the world into a sea," and then, involuntarily, without premeditation, obeying a seemingly enforced impulse, he had turned toward her and she had lifted her eyes, violet eyes, touched with all regret; and a sudden surprised ecstasy had invaded every corner of his heart and filled it with sweetness and warmth, for the music, that enchanting, never-to-be-forgotten intermezzo, had revealed to him--the fairy princess. In a moment that he dreamed not of, around some unexpected corner of life, she had turned her feet and he, crass fool that he was, was not sure that it was she; like all faithless generations, he had waited for a sign, until at last, in the ebb and flow of the music, she had lifted her sweet eyes and he had known her finally, irrevocably, and for ever. He could not gratify his own insistent longing to move nearer her, or to gaze and gaze at her, so during the next act he confined his glances rigorously to the stage. Almost immediately, however, after the curtain fell, he happened to glance, by mere chance, toward one of the boxes, and his heart stood still, for there far back in the shadowy depths, she was standing talking earnestly to a dark, thin woman in rose-color with drooping cerise wings in her shining black hair. He turned involuntarily, half believing himself the victim of some hallucination and expecting to see her still sitting in her seat, only to find that she really had gone. For a moment, a cold chill ran down his back. How could she have vanished without his knowing it? It seemed incredible. What an uncanny way she had of coming and going! He glanced up at the box again where he fancied he had seen her; but the lady in cerise was now seated, talking to two or three men. Good heavens! He began seriously to doubt the evidence of his senses. Had she, his fairy princess, ever really been in the house at all or had he dreamed her--her and her butterflies? Was she, after all, some fantasy born of the music and his dreaming imagination? And would it ever be possible to dream her again; or, if she were real, where, where could he find her? To discover a fairy princess and to lose her, lose her, as he ru
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