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oom boys who want to be geniuses," the ordinary, unshaved, not over-bathed, ungrammatical young men of any American city, so nearly transcend provincialism as in an enthusiasm over their favorite minor cynic, Elbert Hubbard or John Kendrick Bangs, or, in Walter Babson's case, Mr. Fitzgerald's variations on Omar. Una had read Omar as a pretty poem about roses and murmurous courts, but read him she had; and such was Walter's delight in that fact that he immediately endowed her with his own ability to enjoy cynicism. He jabbed at the menu with a fork and glowed and shouted, "Say, isn't it great, that quatrain about 'Take the cash and let the credit go'?" While Una beamed and enjoyed her boy's youthful enthusiasm. Mother of the race, ancient tribal woman, medieval chatelaine, she was just now; kin to all the women who, in any age, have clapped their hands to their men's boasting. She agreed with him that "All these guys that pride themselves on being gentlemen--like in English novels--are jus' the same as the dubs you see in ordinary life." And that it was not too severe an indictment to refer to the advertising-manager as "S. Herbert Louse." And that "the woman feeding by herself over at that corner table looks mysterious, somehow. Gee! there must be a tragedy in her life." But her gratification in being admitted to his enthusiasms was only a background for her flare when he boldly caught up her white paw and muttered, "Tired little hand that has to work so hard!" She couldn't move; she was afraid to look at him. Clattering restaurant and smell of roast pork and people about her all dissolved in her agitation. She shook her head violently to awaken herself, heard herself say, calmly, "It's terribly late. Don't you think it is?" and knew that she was arising. But she moved beside him down the street in languor, wondering in every cell of her etherealized body whether he would touch her hand again; what he would do. Not till they neared the Subway station did she, woman, the protector, noting his slow step and dragging voice, rouse herself to say, "Oh, don't come up in the Subway; I'm used to it, really!" "My dear Goldie, you aren't used to anything in real life. Gee! I said that snappily, and it don't mean a thing!" he gleefully pointed out. He seized her arm, which prickled to the touch of his fingers, rushed her down the Subway steps, and while he bought their tickets they smiled at each other. Several t
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