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ject of his plunging blanc-mange, similarly apostrophised, had not been imported by some sort of magic into _Punch's_ page. A similar coincidence, far graver in its first suggestion, has been given me by Mr. Arnold-Forster. A friend of his sent in to _Punch_ a comic sketch of the Tsar travelling by railway, while he sent a decoy train _in the opposite direction_--which was blown up! The paper containing the sketch was printed by the Monday, and before it was published that had really occurred which _Punch_ had playfully invented. Until the following week, when an explanation was published, a certain section of the public criticised, with justifiable severity, what they took to be the bad taste and ill-timed fooling of the Jester. From Mr. Harry Furniss's pen came an oft-quoted drawing (lately used as an advertisement), the idea of which reached him from an anonymous correspondent. It is that of the grimy, unshaven, unwashed, mangy-looking tramp, who sits down to write, with a broken quill, a testimonial for a firm of soap-makers: "I used your Soap two years ago; _since then I've used no other_." A further point of interest about this famous sketch was that Charles Keene was deeply offended by it at first--in the groundless belief that it was intended as a skit upon himself. It must at least be admitted that the head is not unlike what one might have expected to belong to a dissipated and dilapidated Charles Keene. But the nature of Mr. Furniss's work was of such a kind, and the artist himself has always overflowed with so prodigal a flood of original quaintness, that comparatively few sketches were ever sent in to him, or, being sent, were used. The origin of one of his creations--that of the Sergeant-at-Arms as a beetle--is an example of the lightness and quickness of his fancy. This representation, it has been said, was generally supposed to bear some spiteful sort of reference to the shape of Captain Gosset's legs, which in breeches and silk stockings did not perhaps appear to the best advantage; and, further, that the idea was suggested by the appearance on the floor of the House of Commons, in the course of a particularly wearisome debate, of a monster black-beetle marching slowly across under the eyes of the Representatives of the People, breaking the monotony of the proceedings, and arousing altogether disproportionate interest among the yawning members; that the "stranger" was quickly spied by the artist, who a
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