55
Mosaic of the Battle of Plataea, 55
The Aldobrandini Wedding, 56
The Portland Vase, 56
Ancient Pictures on Glass, 58
Henry Fuseli; his Birth, 59
Fuseli's early Love of Art, 59
Fuseli's Literary and Poetical Taste, 60
Fuseli, Lavater, and the Unjust Magistrate, 61
Fuseli's Travels and his Literary Distinction, 62
Fuseli's Arrival in London, 63
Fuseli's change from Literature to Painting, 63
Fuseli's Sojourn in Italy, 65
Fuseli's Nightmare, 66
Fuseli's OEdipus and his Daughters, 66
Fuseli and the Shakspeare Gallery, 67
Fuseli's "Hamlet's Ghost," 68
Fuseli's Titania, 69
Fuseli's Election as a Royal Academician, 70
Fuseli and Horace Walpole, 71
Fuseli and the Banker Coutts, 72
Fuseli and Professor Porson, 73
Fuseli's method of giving vent to his Passion, 73
Fuseli's Love for Terrific Subjects, 73
Fuseli's and Lawrence's Pictures from the "Tempest," 74
Fuseli's estimate of Reynolds' Abilities in Historical Painting, 75
Fuseli and Lawrence, 75
Fuseli as Keeper of the Royal Academy, 76
Fuseli's Jests and Oddities with the Students of the Academy, 77
Fuseli's Sarcasms on Northcote, 78
Fuseli's Sarcasms on various rival Artists, 79
Fuseli's Retorts, 80
Fuseli's Suggestion of an Emblem of Eternity, 82
Fuseli's Retort in Mr. Coutts' Banking House, 82
Fuseli's Sarcasms on Landscape and Portrait Painters, 83
Fuseli's