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RANCE AND THE MONUMENTS OF THE FORUM.--THE ANTIQUE TEMPLE.--THE PAGAN EX-VOTO OFFERINGS.--THE MERCHANTS' CITY EXCHANGE AND THE PETTY EXCHANGE.--THE PANTHEON, OR WAS IT A TEMPLE, A SLAUGHTER-HOUSE, OR A TAVERN?--THE STYLE OF COOKING AND THE FORM OF RELIGION.--THE TEMPLE OF VENUS.--- THE BASILICA.--THE INSCRIPTIONS OF PASSERS-BY UPON THE WALLS.--THE FORUM REBUILT. As you alight at the station, in the first place breakfast at the _popina_ of Diomed. It is a tavern of our own day, which has assumed an antique title to please travellers. You may there drink Falernian wine manufactured by Scala, the Neapolitan chemist, and, should you ask for some _jentaculum_ in the Roman style--_aliquid scitamentorum_, _glandionidum suillam taridum_, _pernonidem_, _sinciput aut omenta porcina_, _aut aliquid ad eum modum_--they will serve you a beefsteak and potatoes. Your strength refreshed, you will scale the sloping hillock of ashes and rubbish that conceals the ruins from your view; you will pay your two francs at the office and you will pass the gate-keeper's turnstile, astonished, as it is, to find itself in such a place. These formalities once concluded you have nothing more that is modern to go through unless it be the companionship of a guide in military uniform who escorts you, in reality to _watch_, you (especially if you belong to the country of Lord Elgin), but not to mulct you in the least. Placards in all the known languages forbid you to offer him so much as an _obolus_. You make your _entree_, in a word, into the antique life, and you are as free as a Pompeian. The first thing one sees is an arcade and such a niche as might serve for an image of the Madonna; but be reassured, for the niche contains a Minerva. It is no longer the superstition of our own time that strikes our gaze. Under the arcade open extensive store-houses that probably served as a place of deposit for merchandise. You then enter an ascending paved street, pass by the temple of Venus and the Basilica, and arrive at the Forum. There, one should pause. At first glance, the observer distinguishes nothing but a long square space closed at the further extremity by a regular-shaped mound rising between two arcades; lateral alleys extend lengthwise on the right and the left between shafts of columns and dilapidated architectural work. Here and there some compound masses of stone-work indicate altars or the pedestals of statues
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