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he remotest suspicion that the Marquis was you. I must say, though," continued Brown, reflectively, and looking closely at Jaune, "that it was stupid of me. I did think that you had a familiar sort of look; and once, I remember, it did occur to me that you looked astonishingly like yourself. It--it was the clothes, you see, that threw me out. Where ever did you get such a stunning rig? I don't believe that I'd have known you dressed like that, even if you hadn't been gray and wrinkled. But tell me all about it, old man. It must have been jolly fun!" "Fun!" groaned Jaune; "it was the despair!" And then, his heart being very full and his longing for sympathy overpowering, Jatine told Brown the whole story. "But what is this of one bet, my dear Van," he concluded, "I do not of the least know." "Well, here it all is in the paper, anyway. Calls you 'a distinguished animal-painter,' and alludes to your 'strikingly vigorous "Lioness and Cubs" and powerful "Dray Horses" at the last spring exhibition of the Society of American Artists.' Must be somebody who knows you, you see, and somebody who means well by you, too. There's nothing at all about your being an advertisement; indeed, there's nothing in the story but a good joke, of which you are the hero. It's an eccentric sort of heroism, to be sure; but then, for some unknown reason, people never seem to believe that artists are rational human beings, so your eccentricity will do you no harm. And it's no end of an advertisement for you. Whoever wrote it meant well by you. And, by Jove! I know who it is! It's little Conte Crayon. He's a good-hearted little beggar, and he likes you ever so much, for I've heard him say so; but how he ever got hold of the story, and especially of such a jolly version of it, I don't see." At this moment, by a pleasing coincidence, Conte Crayon himself appeared with the desired explanation. "You see," he said, "that beast of a Siccatif de Courtray hunted me up yesterday and told me the yarn about you and the slop-shop man. He wanted me to write it up and publish it, 'as a joke,' he said; but it was clear enough that he was in ugly earnest about it. And so, you see, I had to rush it into print in the way I chose to tell it--which won't do you a bit of harm, d'Antimoine--in order to head him off. The blackguard meant to get you into a mess, and if I'd hung fire he'd have told somebody else about it, and had the real story published. Of course, you
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