Some are of opinion that persons in
better life are so polished that their tone characters and the real bent
of their humor cannot appear. For my own part, I cannot give entire
credit to this remark. For, in the first place, I believe that
good-breeding is not so universal or strong in any part of life as to
overrule the real characters and strong passions of such men as would be
proper objects of the drama. Secondly, it is not the ordinary,
commonplace discourse of assemblies that is to be represented in comedy.
The parties are to be put in situations in which their passions are
roused, and their real characters called forth; and if their situations
are judiciously adapted to the characters, there is no doubt but they
will appear in all their force, choose what situation of life you
please. Let the politest man alive game, and feel at loss; let this be
his character; and his politeness will never hide it, nay, it will put
it forward with greater violence, and make a more forcible contrast.[3]
But genteel comedy puts these characters, not in their passionate, but
in their genteel light; makes elegant cold conversation, and virtuous
personages.[4] Such sort of pictures disagreeable.
Virtue and politeness not proper for comedy; for they have too much or
no movement.
They are not good in tragedy, much less here.
The greater virtues, fortitude, justice, and the like, too serious and
sublime.
It is not every story, every character, every incident, but those only
which answer their end.--Painting of artificial things not good; a thing
being useful does not therefore make it most pleasing in
picture.--Natural manners, good and bad.--Sentiment. In common affairs
and common life, virtuous sentiments are not even the character of
virtuous men; we cannot bear these sentiments, but when they are pressed
out, as it were, by great exigencies, and a certain contention which is
above the general style of comedy....
The first character of propriety the Lawsuit possesses in an eminent
degree. The plot of the play is an iniquitous suit; there can be no
fitter persons to be concerned in the active part of it than low,
necessitous lawyers of bad character, and profligates of desperate
fortune. On the other hand, in the passive part, if an honest and
virtuous man had been made the object of their designs, or a weak man of
good intentions, every successful step they should take against him
ought rather to fill the audience with
|