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the imagination to the reason of man, to withdraw political and social questions from the influence of mere tradition, to subject them instead, to the test of practical experience, and to encourage the patient physical investigations which have resulted in the triumphs of modern science. This tendency has pervaded all the channels of human industry. Its effect upon works of fiction has been to introduce into that department of literature, a spirit of realism, and a love of investigating the problems of life and character, which have resulted in the modern novel. Henceforth we shall meet no more ideal beings, but men or women, more or less true to nature. In the fiction of the Restoration are first observable the new tendencies, which, although but slightly marked at first, have finally given to the English novel its present importance. An attempt to trace the gradual perfection of this form of literature, its development into a work of art, into a natural history of men, into a truthful reflection of very varied social conditions, will occupy the remainder of this volume. CHAPTER V. THE RESTORATION. ROGER BOYLE. MRS. MANLEY. MRS. BEHN. I. The Puritans had overthrown the political tyranny of Charles, but in attempting to build up by force a kingdom of the saints on earth, they had established a spiritual tyranny, quite as irksome and quite as perishable, of their own. Meanwhile they had failed to preserve the reputation for sanctity which formed the chief basis of their authority. As soon as they had attained power, they were joined by men who professed their principles merely for selfish purposes; who vied with each other in presenting to the world the outward signs of Puritanism, and remained notoriously profligate in life and character. The kingdom of the saints, objectionable as a tyranny, and finally identified in the popular mind with a hated hypocrisy, came to its inevitable end in the reaction of the Restoration. But when the first fury of this reaction had passed away, it was evident that Puritanism survived it: no longer a political power, but a moral influence which controlled the great body of the people, and gave to English habits and literature their distinctive tone of serious morality. But for the time, all sight of this was lost. The entry of Charles II into Whitehall was the sign for unlimited indulgence in all that had lately been forbidden. "Chassez le naturel, il revient au galop.
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