the imagination to the reason
of man, to withdraw political and social questions from the influence
of mere tradition, to subject them instead, to the test of practical
experience, and to encourage the patient physical investigations which
have resulted in the triumphs of modern science. This tendency has
pervaded all the channels of human industry. Its effect upon works of
fiction has been to introduce into that department of literature, a
spirit of realism, and a love of investigating the problems of life and
character, which have resulted in the modern novel. Henceforth we shall
meet no more ideal beings, but men or women, more or less true to
nature. In the fiction of the Restoration are first observable the new
tendencies, which, although but slightly marked at first, have finally
given to the English novel its present importance. An attempt to trace
the gradual perfection of this form of literature, its development into
a work of art, into a natural history of men, into a truthful
reflection of very varied social conditions, will occupy the remainder
of this volume.
CHAPTER V.
THE RESTORATION. ROGER BOYLE. MRS. MANLEY. MRS. BEHN.
I.
The Puritans had overthrown the political tyranny of Charles, but in
attempting to build up by force a kingdom of the saints on earth, they
had established a spiritual tyranny, quite as irksome and quite as
perishable, of their own. Meanwhile they had failed to preserve the
reputation for sanctity which formed the chief basis of their
authority. As soon as they had attained power, they were joined by men
who professed their principles merely for selfish purposes; who vied
with each other in presenting to the world the outward signs of
Puritanism, and remained notoriously profligate in life and character.
The kingdom of the saints, objectionable as a tyranny, and finally
identified in the popular mind with a hated hypocrisy, came to its
inevitable end in the reaction of the Restoration. But when the first
fury of this reaction had passed away, it was evident that Puritanism
survived it: no longer a political power, but a moral influence which
controlled the great body of the people, and gave to English habits and
literature their distinctive tone of serious morality.
But for the time, all sight of this was lost. The entry of Charles II
into Whitehall was the sign for unlimited indulgence in all that had
lately been forbidden. "Chassez le naturel, il revient au galop.
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