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e snuffs up his nose, picks it with his fingers, blows it; and looks in his handkerchief, crams his hands first in his bosom, and next in his breeches. 6. In short, he neither dresses nor acts like any other but is particularly aukward in every thing he does. All this, I own, has nothing in it criminal; but it is such an offence to good manners and good-breeding that it is universally despised; it makes a man ridiculous in every company, and, of course, ought carefully to be avoided by every one who would wish to please. 7. From this picture of the ill-bred man, you will easily discover that of the well-bred; for you may readily judge what you ought to do, when you are told what you ought not to do; a little attention to the manners of those who have seen the world, will make a proper behaviour habitual and familiar to you. 8. Actions, that would otherwise be pleasing, frequently become ridiculous by your manner of doing-them. If a lady drops her fan in company, the worst bred man would immediately pick it up, and give it to her; the best bred man can do no more; but then he does it in a graceful manner, which is sure to please; whereas the other would do it so aukwardly as to be laughed at. 9. You may also know a well-bred person by his manner of sitting. Ashamed and confused, the aukward man sits in his chair stiff and bolt upright, whereas the man of fashion is easy in every position; instead of lolling or lounging as he sits, he leans with elegance, and by varying his attitudes, shews that he has been used to good company. Let it be one part of your study, then, to learn to set genteely in different companies, to loll gracefully, where you are authorised to take that liberty, and to set up respectfully, where that freedom is not allowable. 10. In short, you cannot conceive how advantageous a graceful carriage and a pleasing address are, upon all occasions; they ensnare the affections, steal a prepossession in our favour, and play about the heart till they engage it. Now to acquire a graceful air, you must attend to your dancing; no one can either sit, stand, or walk well unless he dances well. And in learning to dance be particularly attentive to the motion of your arms, for a stiffness in the wrist will make any man look aukward. If a man walks well, presents himself well in company, wears his hat well, moves his head properly and his arms gracefully, it is almost all that is necessary. 11. There i
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