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xpect as the result of it all, that there should come "A bolt from heaven to cleave roof and clear place, . . . . then flood And purify the scene with outside day-- Which yet, in the absolutest drench of dark, Ne'er wants its witness, some stray beauty-beam To the despair of hell."[C] [Footnote C: _The Ring and the Book_--_The Pope_, 996-1003.] The superabundant strength of Browning's conviction in the supremacy of the good, which led him in _The Ring and the Book_ to depict criminals at their worst, forced him later on in his life to exhibit evil in another form. The real meaning and value of such poems as _Fifine at the Fair, Prince Hohenstiel-Schwangau, Red Cotton Nightcap Country, Ferishtah's Francies_, and others, can only be determined by a careful and complete analysis of each of them. But they have one characteristic so prominent, and so new in poetry, that the most careless reader cannot fail to detect it. Action and dramatic treatment give place to a discussion which is metaphysical; instead of the conflict of motives within a character, the stress and strain of passion and will in collision with circumstances, there is reflection on action after it has passed, and the conflict of subtle arguments on the ethical value of motives and ways of conduct, which the ordinary moral consciousness condemns without hesitation. All agree that these poems represent a new departure in poetry, and some consider that in them the poet, in thus dealing with metaphysical abstractions, has overleapt the boundaries of the poetic art. To such critics, this later period seems the period of his decadence, in which the casuistical tendencies, which had already appeared in _Bishop Blougram's Apology, Mr. Sludge the Medium_, and other poems, have overwhelmed his art, and his intellect, in its pride of strength, has grown wanton. _Fifine at the Fair is_ said to be "a defence of inconstancy, or of the right of experiment in love." Its hero, who is "a modern gentleman, a refined, cultured, musical, artistic and philosophic person, of high attainments, lofty aspirations, strong emotions, and capricious will," produces arguments "wide in range, of profound significance and infinite ingenuity," to defend and justify immoral intercourse with a gipsy trull. The poem consists of the speculations of a libertine, who coerces into his service truth and sophistry, and "a superabounding wealth of thought and imager
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