d feeling likely to be
manifested in the work.

Probably most of the structure was first built of the same friable red
sandstone as its greater neighbour. Much of the recasing has been
executed in a rather harder gray sandstone, but the tower and spire
are still red.

The tower above the roofs, is of two stages, the upper, or bell
chamber, and the lower or lantern opening into the church. Below this
are small windows with the lines of the old high-pitched roof visible
above the present transept roofs, but in the nave and chancel the
lines of the old roofs are now within the church, the clearstory
having since been added. Each face of the tower is divided, apart from
the narrow angle buttresses, into six vertical divisions separated by
thin projections of buttress form. On the south and west the stair
turret absorbs one of the outer divisions. Each division is curved in
plan in a curious way, which may be the perpetuation of a feature of
the original design, but was more probably introduced or modified by
the person who recased the tower in 1826. That there was sculpture we
know, for in 1709 ten shillings was paid for taking the images down
from the steeple. The smallness of the sum indicates that they were
few in number, and if they occupied similar positions to those on the
belfry stage of St. Michael's, and the structure was as decayed as was
the tower of that church it is probable that the cutting away of the
niches may have suggested the curving of the surfaces especially as
the tower would be thereby lightened. As it is we cannot be certain of
much else than that there were vertical divisions serving to emphasize
the impression of height and that the openings were in the same
positions as now.

[Illustration: PLAN OF TRINITY CHURCH]

The spire blown down in 1665 had been in the previous ninety years
five times repaired and repointed. We cannot now say whether the
original design was at all closely followed in the rebuilding, but its
present likeness to St. Michael's suggests doubts. The lowest stage
which takes the place of the octagon and may be an intentional
imitation of it, has almost upright sides with two-light windows on
the cardinal faces and panelled ones on the oblique sides, while the
remaining stages correspond in number and partly in design with those
of St. Michael's.

In 1855 it was considered that the bells endangered the safety of the
tower, and after recasting by Mears of London they were r