nd the horse and rider's leg not
to have belonged to it.

The modern stained glass is very unequal in character, and some is
very poor indeed. The windows at the west, especially one in memory of
Mr. Wm. Chater, a late organist, may be regarded as exceptions. There
are still, fortunately, many which are not filled with pious
memorials.

The =font= is the original pre-Reformation one of the fifteenth
century, which was removed by the Puritans in 1645 (though devoid of
sculpture) and brought back after the Restoration. It stands on three
steps, is panelled on bowl and stem, and rather brilliantly adorned
with gold and colour.

The south aisle was no doubt divided into two chapels, that on the
west belonging to the Barkers' or Tanners' Gild. A small piscina
against the south wall indicates the position of its altar. The wall
below the windows is recessed so as to form a seat the whole length of
the aisle.

The =south transept=, containing the Corpus Christi and Cellet's
chantries, has lost its original character completely. The piscina,
high up on the south wall, shows that the floor level was some 9 feet
above that of the church. The reason for this has been already
explained. The organ chamber is quite modern. The best authorities
place the chapel of the Butchers' Gild in the south aisle of the
chancel, but do not say to whom the eastern chapel in the nave aisle
belonged. It is known that there was a Jesus Chapel, and, in view of
the proximity of Jesus Hall, it is believed by some that this was its
position.

The present clergy vestry is a fine room, having an excellent dark oak
roof with heavy beams and well carved bosses at the intersections of
the timbers. The Royal Arms over the fireplace were painted there in
1632. Although usual, the placing of the king's arms in churches was
not compulsory until the Restoration; few earlier now remain, and this
placing of them in the vestry rather than the body of the church is
suggestive of a compromise between opposing factions. A portrait of
Walter Farquhar Hook, Vicar from 1828-37 and afterwards Dean of
Chichester is hung here.

It seems probable that this was a chapel, perhaps that of the Holy
Trinity, to whom an altar was dedicated.

The history, as traced in the church accounts, of the various organs
used in the church gives some idea of the fluctuations of opinion as
to the propriety of their use. In 1526 John Howe and John Climmowe,
citizens and organ makers of