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ng me the odor of a sweetshop, he stammers--"Tell me, you writing chap, you'll be writing later about soldiers, you'll be speaking of us, eh?" "Why yes, sonny, I shall talk about you, and about the boys, and about our life." "Tell me, then"--he indicates with a nod the papers on which I have been making notes. With hovering pencil I watch and listen to him. He has a question to put to me--"Tell me, then, though you needn't if you don't want--there's something I want to ask you. This is it; if you make the common soldiers talk in your book, are you going to make them talk like they do talk, or shall you put it all straight--into pretty talk? It's about the big words that we use. For after all, now, besides falling out sometimes and blackguarding each other, you'll never hear two poilus open their heads for a minute without saying and repeating things that the printers wouldn't much like to print. Then what? If you don't say 'em, your portrait won't be a lifelike one it's as if you were going to paint them and then left out one of the gaudiest colors wherever you found it. All the same, it isn't usually done." "I shall put the big words in their place, dadda, for they're the truth." "But tell me, if you put 'em in, won't the people of your sort say you're swine, without worrying about the truth?" "Very likely, but I shall do it all the same, without worrying about those people." "Do you want my opinion? Although I know nothing about books, it's brave to do that, because it isn't usually done, and it'll be spicy if you dare do it--but you'll find it hard when it comes to it, you're too polite. That's just one of the faults I've found in you since we've known each other; that, and also that dirty habit you've got, when they're serving brandy out to us, you pretend it'll do you harm, and instead of giving your share to a pal, you go and pour it on your head to wash your scalp." XIV Of Burdens AT the end of the yard of the Muets farm, among the outbuildings, the barn gapes like a cavern. It is always caverns for us, even in houses! When you have crossed the yard, where the manure yields underfoot with a spongy sound or have gone round it instead on the narrow paved path of difficult equilibrium, and when you have arrived at the entrance to the barn, you can see nothing at all. Then, if you persist, you make out a misty hollow where equally misty and dark lumps are asquat or prone or wandering f
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