l young man with a sallow complexion, a bachelor who, had he
been living like his late father, a sergeant of the gendarmes, in a
pretty house surrounded by apple trees and green grass, would not,
perhaps, have had that 'papier-mache' appearance, and would not have
been dressed at eight o'clock in the morning in a black coat of the kind
we see hanging in the Morgue. M. Tavernier received the newcomer with a
sickly smile, which disappeared as soon as M. Batifol left the room.

"Go and take your place in that empty seat there, in the third row,"
said M. Tavernier, in an indifferent tone.

He deigned, however, to conduct Amedee to the seat which he was to
occupy. Amedee's neighbor, one of the future citizens preparing for
social life--several with patches upon their trousers--had been naughty
enough to bring into class a handful of cockchafers. He was punished by
a quarter of an hour's standing up, which he did soon after, sulking at
the foot of the sycamore-tree in the large court.

"You will soon see what a cur he is," whispered the pupil in disgrace;
as soon as the teacher had returned to his seat.

M. Tavernier struck his ruler on the edge of his chair, and, having
reestablished silence, invited pupil Godard to recite his lesson.

Pupil Godard, who was a chubby-faced fellow with sleepy eyes, rose
automatically and in one single stream, like a running tap, recited,
without stopping to take breath, "The Wolf and the Lamb," rolling off La
Fontaine's fable like the thread from a bobbin run by steam.

"The-strongest-reason-is-always-the-best-and-we-will-prove-it-at-once,
a-lamb-was-quenching-his-thirst-in-a-stream-of-pure-running-water--"

Suddenly Godard was confused, he hesitated. The machine had been badly
oiled. Something obstructed the bobbin.

"In-a-stream-of-pure-running-water-in-a stream--"

Then he stopped short, the tap was closed. Godard did not know his
lesson, and he, too, was condemned to remain on guard under the sycamore
during recess.

After pupil Godard came pupil Grosdidier; then Blanc, then Moreau
(Gaston), then Moreau (Ernest), then Malepert; then another, and
another, who babbled with the same intelligence and volubility, with the
same piping voice, this cruel and wonderful fable. It was as irritating
and monotonous as a fine rain. All the pupils in the "ninth preparatory"
were disgusted for fifteen years, at least, with this most exquisite of
French poems.

Little Amedee wanted to cry; he