without raising his eyes from the
manuscript:
"Here are some fine verses!"
A flood of delight filled the heart of the poet from the Faubourg
St.-Jacques.
As soon as he had finished his reading, Paul arose from his seat, and,
extending both hands over the carafes and glasses to Amedee, said,
enthusiastically:
"Let me shake hands with you! Your description of the battle-scene is
astonishing! It is admirable! It is as clear and precise as Merimee, and
it has all the color and imagination that he lacks to make him a
poet. It is something absolutely new. My dear Monsieur Violette, I
congratulate you with all my heart! I can not ask you for this beautiful
poem for La Guepe that Jocquelet is so fortunate as to have to recite,
and of which I hope he will make a success. But I beg of you, as a great
favor, to let me have some verses for my paper; they will be, I am sure,
as good as these, if not better. To be sure, I forgot to tell you that
we shall not be able to pay you for the copy, as La Guepe does not
prosper; I will even admit that it only stands on one leg. In order to
make it appear for a few months longer, I have recently been obliged to
go to a money-lender, who has left me, instead of the classical stuffed
crocodile, a trained horse which he had just taken from an insolvent
circus. I mounted the noble animal to go to the Bois, but at the Place
de la Concorde he began to waltz around it, and I was obliged to get rid
of this dancing quadruped at a considerable loss. So your contribution
to La Guepe would have to be gratuitous, like those of all the rest.
You will give me the credit of having saluted you first of all, my dear
Violette, by the rare and glorious title of true poet. You will let me
reserve the pleasure of intoxicating you with the odor that a printer's
first proofs give, will you not? Is it agreed?"
Yes, it was agreed! That is to say, Amedee, touched to the depths of his
heart by so much good grace and fraternal cordiality, was so troubled in
trying to find words to express his gratitude, that he made a terrible
botch of it.
"Do not thank me," said Paul Sillery, with his pleasant but rather
sceptical smile, "and do not think me better than I am. If all your
verses are as strong as these that I have just read, you will soon
publish a volume that will make a sensation, and--who knows?--perhaps
will inspire me first of all with an ugly attack of jealousy. Poets are
no better than other people; th
|