without a friend, in a great city! I
should think common charity had a duty there--not to mention the
uncommon."

He distinguished that kind as Margaret's by a glance of ironical
deference. She had a repute for good works which was out of proportion to
the works, as it always is, but she was really active in that way, under
the vague obligation, which we now all feel, to be helpful. She was of
the church which seems to have found a reversion to the imposing ritual
of the past the way back to the early ideals of Christian brotherhood.

"Oh, they seem to have Mr. Beaton," Margaret answered, and Beaton felt
obscurely flattered by her reference to his patronage of the Dryfooses.

He explained to Wetmore: "They have me because they partly own me.
Dryfoos is Fulkerson's financial backer in 'Every Other Week'."

"Is that so? Well, that's interesting, too. Aren't you rather astonished,
Miss Vance, to see what a petty thing Beaton is making of that magazine
of his?"

"Oh," said Margaret, "it's so very nice, every way; it makes you feel as
if you did have a country, after all. It's as chic--that detestable
little word!--as those new French books."

"Beaton modelled it on them. But you mustn't suppose he does everything
about 'Every Other Week'; he'd like you to. Beaton, you haven't come up
to that cover of your first number, since. That was the design of one of
my pupils, Miss Vance--a little girl that Beaton discovered down in New
Hampshire last summer."

"Oh yes. And have you great hopes of her, Mr. Wetmore?"

"She seems to have more love of it and knack for it than any one of her
sex I've seen yet. It really looks like a case of art for art's sake, at
times. But you can't tell. They're liable to get married at any moment,
you know. Look here, Beaton, when your natural-gas man gets to the
picture-buying stage in his development, just remember your old friends,
will you? You know, Miss Vance, those new fellows have their regular
stages. They never know what to do with their money, but they find out
that people buy pictures, at one point. They shut your things up in their
houses where nobody comes, and after a while they overeat
themselves--they don't know what, else to do--and die of apoplexy, and
leave your pictures to a gallery, and then they see the light. It's slow,
but it's pretty sure. Well, I see Beaton isn't going to move on, as he
ought to do; and so I must. He always was an unconventional creature."

Wetmore