Soath all his lahfe. And now
Mr. Fulkerson wants him to let his editor see some of his wrahtings, and
Ah wanted to know something aboat the magazine. We awe a great deal
excited aboat it in this hoase, you know, Mr. Beaton," she concluded,
with a look that now transferred the interest from Fulkerson to Alma. She
led the way back to the room where they were sitting, and went up to
triumph over Fulkerson with Beaton's decision about the table-cover.

Alma was left with Beaton near the piano, and he began to talk about the
Dryfooses as he sat down on the piano-stool. He said he had been giving
Miss Dryfoos a lesson on the banjo; he had borrowed the banjo of Miss
Vance. Then he struck the chord he had been trying to teach Christine,
and played over the air he had sung.

"How do you like that?" he asked, whirling round.

"It seems rather a disrespectful little tune, somehow," said Alma,
placidly.

Beaton rested his elbow on the corner of the piano and gazed dreamily at
her. "Your perceptions are wonderful. It is disrespectful. I played it,
up there, because I felt disrespectful to them."

"Do you claim that as a merit?"

"No, I state it as a fact. How can you respect such people?"

"You might respect yourself, then," said the girl. "Or perhaps that
wouldn't be so easy, either."

"No, it wouldn't. I like to have you say these things to me," said
Beaton, impartially.

"Well, I like to say them," Alma returned.

"They do me good."

"Oh, I don't know that that was my motive."

"There is no one like you--no one," said Beaton, as if apostrophizing her
in her absence. "To come from that house, with its assertions of
money--you can hear it chink; you can smell the foul old banknotes; it
stifles you--into an atmosphere like this, is like coming into another
world."

"Thank you," said Alma. "I'm glad there isn't that unpleasant odor here;
but I wish there was a little more of the chinking."

"No, no! Don't say that!" he implored. "I like to think that there is one
soul uncontaminated by the sense of money in this big, brutal, sordid
city."

"You mean two," said Alma, with modesty. "But if you stifle at the
Dryfooses', why do you go there?"

"Why do I go?" he mused. "Don't you believe in knowing all the natures,
the types, you can? Those girls are a strange study: the young one is a
simple, earthly creature, as common as an oat-field and the other a sort
of sylvan life: fierce, flashing, feline--"

Alma burst out