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lly's made a bad bargain, but I hope she won't regret it. We're all going some, except you. You're going out on the old trail again--which begins in Third Avenue, and ends in Sing Sing. Why tear yourself away, Spike?" Spike concentrated his gaze on a weedy young emigrant in a blue jersey, who was having his eye examined by the overworked doctor and seemed to be resenting it. "Dere's nuttin' doin' dis side, boss," he said, at length. "I want to git busy." "Ulysses Mullins!" said Jimmy, looking at him curiously. "I know the feeling. There's only one cure. I sketched it out for you once, but I guess you'll never take it. Yon don't think a lot of women, do you? You're the rugged bachelor." "Goils--!" began Spike comprehensively, and abandoned the topic without dilating on it further. Jimmy lighted his pipe, and threw the match overboard. The sun came out from behind a cloud, and the water sparkled. "Dose were great jools, boss," said Spike, thoughtfully. "I believe you're still brooding over them, Spike." "We could have got away wit' dem, if youse would have stood fer it. Dead easy." "You are brooding over them. Spike, I'll tell you something which will console you a little, before you start out on your wanderings. It's in confidence, so keep it dark. That necklace was paste." "What's dat?" "Nothing but paste. I got next directly you handed them to me. They weren't worth a hundred dollars." A light of understanding came into Spike's eyes. His face beamed with the smile of one to whom dark matters are made clear. "So, dat's why you wouldn't stan' fer gittin' away wit' dem!" he exclaimed. End of Project Gutenberg's The Intrusion of Jimmy, by P. G. Wodehouse *** END OF THIS PROJECT GUTENBERG EBOOK THE INTRUSION OF JIMMY *** ***** This file should be named 4075.txt or 4075.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/0/7/4075/ Produced by Charles Franks and the Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, a
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