t his
ease in hitting off the style of Mr. Burns or Mr. Balfour, as he is in
imitating the methods and effects of the new Celtic or Imperialist poets;
whilst he is as happy in his series illustrating "The Sort of Prose
Articles that modern Prose-writers write" as he is in his model newspaper
with its various amusing features.
=SHADOWS OUT OF THE CROWD.= By RICHARD CURLE. Crown 8vo, cloth. 6s. This
book consists of twelve stories of a curious and psychological kind. Some
deal with the West Indian and South American tropics, some with London,
some with Scotland, and one with South Africa. The author's sense of
atmosphere is impressive, and there is about all his stories the
fatalistic spirit of the Russians. They have been written over a period of
several years, and show signs of a close study of method and a deep
insight into certain descriptions of fevered imagination. All are the work
of a writer of power, and of an artist of a rare and rather un-English
type.
=LONDON WINDOWS.= By ETHEL TALBOT. Crown 8vo, cloth. 2s. 6d. net. In this
little volume Miss Talbot, who is a well known and gifted singer in the
younger choir of England's poets, pictures London in many moods. She has
won themes from the city's life without that capitulation to the merely
actual which is the pitfall of so many artists. London is seen grieving,
sordid, grey, as well as magical and alluring. All who love the London of
to-day must perforce respond to the appeal which lies in these moving and
poignant verses.
=BOHEMIA IN LONDON.= By ARTHUR RANSOME. Crown 8vo, cloth. Illustrated. 2s.
net.
=SOME ASPECTS OF THACKERAY.= By LEWIS MELVILLE. Demy 8vo. 12s. 6d. net. As
a literary study the book incites interest, and commands attention as a
further revelation of a brilliant and many-sided literary genius. There
are admirably written chapters on "Thackeray as a Reader and Critic,"
"Thackeray as an Artist," "Thackeray's Country," "Thackeray's Ballads,"
"Thackeray and his Illustrators," "Prototypes of Thackeray's Characters,"
etc. The volume is fully illustrated.
=ENGLISH LITERATURE.= 1880-1905. Pater, Wilde, and after. By J. M.
KENNEDY. Demy 8vo, cloth. 7s. 6d. net. Mr. J. M. Kennedy has written the
first history of the dynamic movement in English literature between 1880
and 1905. The work begins with a sketch of romanticism and classicism, and
continues with chapters on Walter Pater and Oscar Wilde, who, in their
different ways, exercised so great
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