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t his ease in hitting off the style of Mr. Burns or Mr. Balfour, as he is in imitating the methods and effects of the new Celtic or Imperialist poets; whilst he is as happy in his series illustrating "The Sort of Prose Articles that modern Prose-writers write" as he is in his model newspaper with its various amusing features. =SHADOWS OUT OF THE CROWD.= By RICHARD CURLE. Crown 8vo, cloth. 6s. This book consists of twelve stories of a curious and psychological kind. Some deal with the West Indian and South American tropics, some with London, some with Scotland, and one with South Africa. The author's sense of atmosphere is impressive, and there is about all his stories the fatalistic spirit of the Russians. They have been written over a period of several years, and show signs of a close study of method and a deep insight into certain descriptions of fevered imagination. All are the work of a writer of power, and of an artist of a rare and rather un-English type. =LONDON WINDOWS.= By ETHEL TALBOT. Crown 8vo, cloth. 2s. 6d. net. In this little volume Miss Talbot, who is a well known and gifted singer in the younger choir of England's poets, pictures London in many moods. She has won themes from the city's life without that capitulation to the merely actual which is the pitfall of so many artists. London is seen grieving, sordid, grey, as well as magical and alluring. All who love the London of to-day must perforce respond to the appeal which lies in these moving and poignant verses. =BOHEMIA IN LONDON.= By ARTHUR RANSOME. Crown 8vo, cloth. Illustrated. 2s. net. =SOME ASPECTS OF THACKERAY.= By LEWIS MELVILLE. Demy 8vo. 12s. 6d. net. As a literary study the book incites interest, and commands attention as a further revelation of a brilliant and many-sided literary genius. There are admirably written chapters on "Thackeray as a Reader and Critic," "Thackeray as an Artist," "Thackeray's Country," "Thackeray's Ballads," "Thackeray and his Illustrators," "Prototypes of Thackeray's Characters," etc. The volume is fully illustrated. =ENGLISH LITERATURE.= 1880-1905. Pater, Wilde, and after. By J. M. KENNEDY. Demy 8vo, cloth. 7s. 6d. net. Mr. J. M. Kennedy has written the first history of the dynamic movement in English literature between 1880 and 1905. The work begins with a sketch of romanticism and classicism, and continues with chapters on Walter Pater and Oscar Wilde, who, in their different ways, exercised so great
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