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f Nature under southern skies, the principal characters are English, and in England is centred first and last the dominant pathos of the story. A complete absence of dialect from the novels helps to emphasise the author's slender use of extraneous aids to interest. The influence of Ada Cambridge's twenty-five years' Australian experience is shown in her general outlook upon life, rather than in the details of her work. The prevailing tone of her books is one of marked cheerfulness, sincerity, and simplicity; she has a hearty dislike for conventional stupidities, especially for the mock-modesty that stifles honest sentiment; and she gives emphatic endorsement to the pleasant dictum (which seems so much more feasible in sunny Australia than in colder northern lands) that the second half of life is not less fruitful and satisfying than the first. As the general effect of Ada Cambridge's teaching, so far as it can be gathered from her plots, and the few instances in which she has permitted herself anything in the shape of didactic expression, is to make us more patient with life's complexities and perceptive of its compensations, and more content with whatever happiness may be drawn in our way by the chain of accidents called Destiny, so do her principal characters, in their foibles and their strength--in the little acts and impulses which qualify alike their heroism and their baseness--tend to make us more discriminative and charitable. In almost every case they are strong studies from some point of view. Of deliberate analysis there is very little; but there are numerous realistic touches not commonly admitted in fiction, which, handled with skill and insight, keep the character within the pale of common experience and increase rather than alienate the reader's sympathy. Thus, Richard Delavel's outburst of relief upon the death of his first wife, so far from being vulgar and brutal, as it might have seemed in other circumstances, recalls and emphasises the high sense of duty and honour and the iron self-restraint which had enabled him to be in all essentials a good husband for twenty-five years to a cold-hearted creature, between whom and himself there had never been either common interest or feeling, and for whose sake he had relinquished the woman that would have been his real mate in intellect and sympathy. Delavel's housekeeper, who is also a privileged friend, takes him to task for his unseemly hurry to go in s
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