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The Project Gutenberg EBook of The Gate of Appreciation, by Carleton Noyes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Gate of Appreciation Studies in the Relation of Art to Life Author: Carleton Noyes Release Date: November 7, 2008 [EBook #27183] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE GATE OF APPRECIATION *** Produced by Ruth Hart [Note: for this online edition I have moved the Table of Contents to the beginning of the text. Also I have made one spelling change: irrevelant circumstance to irrelevant circumstance.] THE GATE OF APPRECIATION Studies in the Relation of Art to Life BY CARLETON NOYES BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1907 COPYRIGHT 1907 BY CARLETON NOYES ALL RIGHTS RESERVED _Published April 1907_ TO MY FATHER AND THE MEMORY OF MY MOTHER "Only themselves understand themselves and the like of themselves, As souls only understand souls." CONTENTS Preface i I. The Impulse to Expression i II. The Attitude of Response 23 III. Technique and the Layman 44 IV. The Value of the Medium 87 V. The Background of Art 105 VI. The Service of Criticism 137 VII. Beauty and Common Life 165 VIII. The Arts of Form 201 IX. Representation 221 X. The Personal Estimate 254 PREFACE IN the daily life of the ordinary man, a life crowded with diverse interests and increasingly complex demands, some few moments of a busy week or month or year are accorded to an interest in art. Whatever may be his vocation, the man feels instinctively that in his total scheme of life books, pictures, music have somewhere a place. In his own business or profession he is an expert, a man of special training; and intelligently he does not aspire to a complete understanding of a subject which lies beyond his province. In the same spirit in which he is a master of his own craft, he is content to leave expert knowledge of art to the expert, to the artist and to the connoisseur. For his part as a layman he remains fra
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