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destruction. But it is strange that thus a last blow should have been aimed at that family, once so great and strong, which James's resentment had pursued to the end. A little while before, Archibald Douglas of Kilspindie had thrown himself upon James's mercy--the only member of the Douglas family who can be in any way identified with the noble Douglas of _The Lady of the Lake_. "'Tis James of Douglas, by St. Serle, The uncle of the banished Earl." But Archibald of Kilspindie did not meet the same forgiveness with which his prototype in the poem was received. He was sent back into banishment unforgiven, the King's word having been passed to forgive no one condemned by the law. Perhaps the same stern fidelity to a stern promise was the reason why Lady Glamis was allowed to go to the stake unrescued. But we speculate in vain on subjects so veiled in ignorance and uncertainty. Perhaps his counsellors acted on their own authority in respect to a crime the reprobation and horror of which were universal, and did not disturb the King in the first shock of his mourning. In the same week the fair and fragile Magdalen of France was carried to her burial, and Lady Glamis was burned at the other extremity of Edinburgh. Perhaps it was supposed that something in the incantations of the one had a fatal influence upon the young existence of the other. At all events these two sensations fell to the populace of Edinburgh and all the strangers who were constantly passing through her gates, at the same time. Life in those days was full of pictorial circumstances which do not belong to ours. One is inclined to wonder sometimes whether the many additional comforts we possess make up for that perpetual movement in the air, the excitement, the communication of new ideas, the strange sights both pleasant and terrible. The burning of a witch or a heretic is perhaps too tremendous a sensation to be desired by the most heroic spectator; but the perpetual drama going on thus before the eyes of all the world, and giving to the poorest an absolute share in every new and strange thing, must have added a reality to national life which no newspapers can give. That the people remain always eager for this share in historical events, the crowds that never weary of gazing at passing princes, the innumerable audience of the picture papers, the endless reproduction of every insignificant public event, from a procession of aldermen to the simplest
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