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colds of Florence to the green temperance and tranquillity of the hills. It was he who at last, still guided by that horoscope of which he alone knew the lesson, sanctioned the maiden's return to the city, to live outside which, though even in the loveliest places thereafter attainable, is to live in exile. I know for sure that he said of his sweet charge that flesh and spirit were so exquisitely poised in her perfect body that it needed but some breath of fate to scatter them irrevocably apart, as a child's breath can scatter the down of a dandelion to all the corners of a field. But though I thought of this now, as I beheld the girl and the elder so close together, I could not, for my life, believe it, seeing how buoyantly she carried her beauty and the nobility of her color. Messer Dante still had the two ends of the roll of parchment in his fingers as Madonna Beatrice entered the hall, and in the very instant of her appearance he was aware of her presence, and I that was watching all things at once, like Argus in the antique fable, I saw how his hands trembled and how his lips quivered with the knowledge of her approach. But otherwise he showed no sign of the advance of divinity, and holding the parchment well before his face, rolling and unrolling as the duty needed, he began to read what was written on the skin. The poem, as I already knew, made up the second part of a lengthy ballad in praise of the ladies of Florence. It was cast in an allegorical fashion, aiming to portray a pageant of fair women, each single verse seeking to picture some one of the many lovely ladies that in those days made Florence a very Venus Hill for the ravishment of the senses and the stirring of the blood. I wish with all my heart that I could set the whole of it down here, for it was most ingeniously fancied and handled, and it was not over difficult for the admirers of any particular beauty to pierce the dainty veil of symbolism with which the poet had pretended to envelop her identity. Alas! my memory will not serve me to recall the greater part of it, or, indeed, any but a little, though that little is in truth the very kernel of the whole, and I have no copy of the ballad by me to mend my memory. But, as I say, what I do remember is the centre-jewel of its crown of song. My Dante read the verses that were his own verses in a voice that was very even, melodious, but so sustained and tamed as to make it seem plain to all that l
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