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Professor Shaw will continue the Series. * * * Nearly ready, THE PRACTICE OF PHOTOGRAPHY. A MANUAL for STUDENTS and AMATEURS. Edited by PHILIP DELAMOTTE, F.S.A. Illustrated with a Photographic Picture taken by the Collodion Process, and a Diagram of Six Colours, with its result in a Photographic impression. This Manual will contain much practical information of a valuable nature. * * * Preparing for Publication, in Parts, price One Guinea each, PROGRESS OF THE CRYSTAL PALACE AT SYDENHAM. Exhibited in a Series of Photographic Views taken by PHILIP DELAMOTTE. This Work will be found of much service to Engineers and Architects, and all who are interested in the Crystal Palace. *** Some of these Views may be had for the Stereoscope. * * * Preparing for Publication, A SERIES OF PHOTOGRAPHIC PICTURES. By HUGH OWEN, ESQ. (of Bristol.) * * * LONDON: Published by JOSEPH CUNDALL, at the PHOTOGRAPHIC INSTITUTION, 168. NEW BOND STREET. * * * * * Printed by THOMAS CLARK SHAW, of No. 10. Stonefield Street, in the Parish of St. Mary, Islington, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London: and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.--Saturday, April 23. 1853. End of the Project Gutenberg EBook of Notes and Queries, Number 182, April 23, 1853, by Various *** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** ***** This file should be named 22369.txt or 22369.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/3/6/22369/ Produced by Charlene Taylor, Jonathan Ingram, Pat A. Benoy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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