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as entire to none, and few had part. Donne shows women themselves, in delight, anger, or despair; they know that he finds nothing in the world more interesting, and they much more than forgive him for all the ill he says of them. If women most conscious of their sex were ever to read Donne, they would say, He was a great lover; he understood. And, in the poems of divine love, there is the same quality of mental emotion as in the poems of human love. Donne adores God reasonably, knowing why he adores Him. He renders thanks point by point, celebrates the heavenly perfections with metaphysical precision, and is no vaguer with God than with woman. Donne knew what he believed and why he believed, and is carried into no heat or mist as he tells over the recording rosary of his devotions. His _Holy Sonnets_ are a kind of argument with God; they tell over, and discuss, and resolve, such perplexities of faith and reason as would really occur to a speculative brain like his. Thought crowds in upon thought, in these tightly packed lines, which but rarely admit a splendour of this kind: At the round earth's imagined corners blow Your trumpets, angels, and arise, arise From death, you numberless infinities Of souls, and to your scattered bodies go. More typical is this too knotted beginning of another sonnet: Batter my heart, three-person'd God; for you As yet but knock; breathe, shine, and seek to mend; That I may rise, and stand, o'erthrow me, and bend Your force, to break, blow, burn, and make me new. Having something very minute and very exact to say, he hates to leave anything out; dreading diffuseness, as he dreads the tame sweetness of an easy melody, he will use only the smallest possible number of words to render his thought; and so, as here, he is too often ingenious rather than felicitous, forgetting that to the poet poetry comes first, and all the rest afterwards. For the writing of great poetry something more is needed than to be a poet and to have great occasions. Donne was a poet, and he had the passions and the passionate adventures, in body and mind, which make the material for poetry; he was sincere to himself in expressing what he really felt under the burden of strong emotion and sharp sensation. Almost every poem that he wrote is written on a genuine inspiration, a genuine personal inspiration, but most of his poems seem to have been written befor
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