urning of the funeral pyre at the end, until it is put out by the
rising waters of the Rhine bearing the maidens on the surface; these
scenes, with the glorious music accompanying, cannot be matched by any
act of any other opera. Nevertheless, as a whole, "Siegfried" is, in
my opinion, the grandest part of the Trilogy. In no other work of
Wagner is there such a minute correspondence, every second, between
the poetry, music, and scenery. Every action and gesture on the stage
is mirrored in the orchestra; and I shall never forget the remark made
to me in 1876, at Bayreuth, by a musician, that in "Siegfried" we hear
for the first time music such as Nature herself would make if she had
an orchestra.
* * * * *
+--------------------------------------------------------------+
| Typographical errors corrected in text: |
| |
| Page 92: removed extra 'to' in 'resorted to to rouse' |
| Page 158: Wilhelmj replaced with Wilhelm |
| Page 162: Erlich replaced with Ehrlich |
| |
| Since 'Erlking' (page 138) and 'Erl King' (page 237) are |
| from two articles, and both are legitimate spellings of |
| Schubert's music, these are left as is. |
+--------------------------------------------------------------+
* * * * *
End of Project Gutenberg's Chopin and Other Musical Essays, by Henry T. Finck
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