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m, that would cause me sorrow. My dear father, you are nearing the time-post of ninety years, with great health and cheerfulness; it is my hope you may top the arch of your good and honourable life with a century key-stone. Believe me, sir, Your affectionate son, GILBERT PARKER. 15th September, 1894, 7 Park Place, St. James's S.W. INTRODUCTION THE TRAIL OF THE SWORD This book, like Mrs. Falchion, was published in two volumes in January. That was in 1894. It appeared first serially in the Illustrated London News, for which paper, in effect, it was written, and it also appeared in a series of newspapers in the United States during the year 1893. This was a time when the historical novel was having its vogue. Mr. Stanley Weyman, Sir Arthur Conan Doyle, and a good many others were following the fashion, and many of the plays at the time were also historical--so-called. I did not write The Trail of the Sword because it was in keeping with the spirit of the moment. Fashion has never in the least influenced my writing or my literary purposes. Whatever may be thought of my books, they represent nothing except my own bent of mind, my own wilful expression of myself, and the setting forth of that which seized my imagination. I wrote The Trail of the Sword because the early history of the struggles between the French and English and the North American Continent interested me deeply and fascinated my imagination. Also, I had a most intense desire to write of the Frenchman of the early days of the old regime; and I have no idea why it was so, because I have no French blood in my veins nor any trace of French influence in my family. There is, however, the Celtic strain, the Irish blood, immediate of the tang, as it were, and no doubt a sympathy between the Celtic and the Gallic strain is very near, and has a tendency to become very dear. It has always been a difficulty for me to do anything except show the more favourable side of French character and life. I am afraid that both in The Trail of the Sword, which was the forerunner of The Seats of the Mighty, the well sunk, in a sense, out of which the latter was drawn, I gave my Frenchman the advantage over his English rival. In The Trail of the Sword, the gallant French adventurer's chivalrous but somewhat merciless soul, makes a better picture than does his more phlegmatic but brave and honou
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