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tely before the sailing of the fleet, and strongly suspicious of Alcibiades' participation in the outrage. In spite of the inherent charm of the subject, the splendid outbursts of lyrical poetry in some of the choruses and the beauty of the scenery and costumes, 'The Birds' failed to win the first prize. This was acclaimed to a play of Aristophanes' rival, Amipsias, the title of which, 'The Comastoe,' or 'Revellers,' "seems to imply that the chief interest was derived from direct allusions to the outrage above mentioned and to the individuals suspected to have been engaged in it." For this reason, which militated against its immediate success, viz. the absence of direct allusion to contemporary politics--there are, of course, incidental references here and there to topics and personages of the day--the play appeals perhaps more than any other of our Author's productions to the modern reader. Sparkling wit, whimsical fancy, poetic charm, are of all ages, and can be appreciated as readily by ourselves as by an Athenian audience of two thousand years ago, though, of course, much is inevitably lost "without the important adjuncts of music, scenery, dresses and what we may call 'spectacle' generally, which we know in this instance to have been on the most magnificent scale." The plot is this. Euelpides and Pisthetaerus, two old Athenians, disgusted with the litigiousness, wrangling and sycophancy of their countrymen, resolve upon quitting Attica. Having heard of the fame of Epops (the hoopoe), sometime called Tereus, and now King of the Birds, they determine, under the direction of a raven and a jackdaw, to seek from him and his subject birds a city free from all care and strife. Arrived at the Palace of Epops, they knock, and Trochilus (the wren), in a state of great flutter, as he mistakes them for fowlers, opens the door and informs them that his Majesty is asleep. When he awakes, the strangers appear before him, and after listening to a long and eloquent harangue on the superior attractions of a residence among the birds, they propose a notable scheme of their own to further enhance its advantages and definitely secure the sovereignty of the universe now exercised by the gods of Olympus. The birds are summoned to meet in general council. They come flying up from all quarters of the heavens, and after a brief mis-understanding, during which they come near tearing the two human envoys to pieces, they listen to the exp
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