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ences has persuaded the Baron that it is possible to solve the famous problem called the "Philosopher's Stone." His own pecuniary resources have long since been exhausted by his costly experiments. His sister has next supplied him with the small fortune at her disposal: reserving only the family jewels, placed in the charge of her banker and friend at Frankfort. The Countess's fortune also being swallowed up, the Baron has in a fatal moment sought for new supplies at the gaming table. He proves, at starting on his perilous career, to be a favourite of fortune; wins largely, and, alas! profanes his noble enthusiasm for science by yielding his soul to the all-debasing passion of the gamester. 'At the period of the Play, the Baron's good fortune has deserted him. He sees his way to a crowning experiment in the fatal search after the secret of transmuting the baser elements into gold. But how is he to pay the preliminary expenses? Destiny, like a mocking echo, answers, How? 'Will his sister's winnings (with my Lord's money) prove large enough to help him? Eager for this result, he gives the Countess his advice how to play. From that disastrous moment the infection of his own adverse fortune spreads to his sister. She loses again, and again--loses to the last farthing. 'The amiable and wealthy Lord offers a third loan; but the scrupulous Countess positively refuses to take it. On leaving the table, she presents her brother to my Lord. The gentlemen fall into pleasant talk. My Lord asks leave to pay his respects to the Countess, the next morning, at her hotel. The Baron hospitably invites him to breakfast. My Lord accepts, with a last admiring glance at the Countess which does not escape her brother's observation, and takes his leave for the night. 'Alone with his sister, the Baron speaks out plainly. "Our affairs," he says, "are in a desperate condition, and must find a desperate remedy. Wait for me here, while I make inquiries about my Lord. You have evidently produced a strong impression on him. If we can turn that impression into money, no matter at what sacrifice, the thing must be done." 'The Countess now occupies the stage alone, and indulges in a soliloquy which develops her character. 'It is at once a dangerous and attractive character. Immense capacities for good are implanted in her nature, side by side with equally remarkable capacities for evil. It rests with circumstances to develop either the one
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