FREE BOOKS

Author's List




PREV.   NEXT  
|<   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350  
351   352   353   354   355   356   357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   373   374   375   >>   >|  
PHY AND BIBLIOLOGY) by Johann Koelhoff, also at Cologne in 1472. Illustrations abound in the books printed at Augsburg in the early 'seventies, and in the 'eighties are common in Germany, France and the Low Countries, while in Italy their full development dated from about 1490. Experiments were made in both Italy and France with illustrations engraved on copper, but in the 15th century these met with no success. Bound with wooden boards covered with stamped leather, or with half of the boards left uncovered, many of the earliest printed books are immensely large and heavy, especially the great choir-books, the Bibles and the Biblical and legal commentaries, in which a great mass of notes surrounds the text. The paper on which these large books were printed was also extraordinarily thick and strong. For more popular books small folio was at first a favourite size, but towards the end of the century small thin quartos were much in vogue. Psalters, books of hours, and other prayer-books were practically the only very small books in use. Owing to changes, not only in the value of money but in the coinage, the cost of books in the 15th century is extremely difficult to ascertain. A vellum copy of the first printed Bible (Mainz, c. 1455) in two large folio volumes, when rubricated and illuminated, is said to have been worth 100 florins. In 1467 the bishop of Aleria writing to Pope Paul II. speaks of the introduction of printing having reduced prices to one-fifth of what they had previously been. Fifteen "Legends" bequeathed by Caxton to St Margaret's, Westminster, were sold at prices varying from 6s. 8d. to 5s. This would be cheap for a large work like the _Golden Legend_, but the bequest was more probably of copies of the Sarum _Legenda_, or Lectionary, a much smaller book. _16th Century._--The popularization of the small octavo by Aldus at Venice in 1501 and the introduction in these handy books of a new type, the italic, had far-reaching consequences. Italics grew steadily in favour during the greater part of the century, and about 1570 had almost become the standard vernacular type of Italy. In France also they were very popular, the attempt to introduce a rival French cursive type (_lettres de civilite_) attaining no success. In England they gained only slight popularity, but roman type, which had not been used at all in the 15th century, made steady progress in its contest with black letter, which by the end of the c
PREV.   NEXT  
|<   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350  
351   352   353   354   355   356   357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   373   374   375   >>   >|  



Top keywords:
century
 

printed

 
France
 

success

 
boards
 

introduction

 

prices

 
popular
 

Legend

 

Lectionary


smaller
 

Legenda

 

varying

 

bequest

 

copies

 
Golden
 

reduced

 
Johann
 
printing
 

speaks


Koelhoff

 

BIBLIOLOGY

 

Margaret

 

Century

 

Westminster

 

Caxton

 

bequeathed

 

previously

 

Fifteen

 

Legends


civilite
 

attaining

 

England

 
lettres
 

cursive

 

attempt

 

introduce

 

French

 
gained
 
slight

contest

 

letter

 
progress
 

steady

 

popularity

 

vernacular

 

standard

 

italic

 

reaching

 

octavo