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xtra Crown 8vo. ESSAYS IN CRITICAL REALISM: A Co-operative Study of the Problem of Knowledge. By Professors DURANT DRAKE, ARTHUR O. LOVEJOY, JAMES BISSETT PRATT, ARTHUR K. ROGERS, GEORGE SANTAYANA, ROY WOOD SELLARS, C. A. STRONG. 8vo. LONDON: MACMILLAN & CO., LTD. {388} WORKS ON PHILOSOPHY ----- By Prof. HENRI BERGSON CREATIVE EVOLUTION. Translated by ARTHUR MITCHELL, Ph.D. 8vo. 12s. 6d. net. LAUGHTER: An Essay on the Meaning of the Comic. Authorised Translation from the Sixth Edition by CLOUDESLEY BRERETON, L. es L. (Paris), M.A. (Cantab.); and FRED ROTHWELL, B.A. (London). Extra Crown 8vo. 4s. 6d. net. AN INTRODUCTION TO METAPHYSICS. Translated by T. E. HULME. Crown 8vo. 2d. 6d. net. ----- A CRITICAL EXPOSITION OF BERGSON'S PHILOSOPHY. By J. M'KELLAR STEWART, B.A., D.Phil. Extra Crown 8vo. 6s. 6d. net. HENRI BERGSON. An Account of his Life and Philosophy. By ALGOT RUHE and NANCY MARGARET PAUL. With Portrait. Extra Crown 8vo. 6s. 6d. net. THE PHILOSOPHY OF CHANGE. A Study of the Fundamental Principle of the Philosophy of Bergson. By H. WILDON CARR. 8vo. 7s. 6d. net. By BENEDETTO CROCE PHILOSOPHY OF THE PRACTICAL. Economic and Ethic Translated by DOUGLAS AINSLIE, B.A. 8vo. 14s. net. AESTHETIC AS SCIENCE OF EXPRESSION AND GENERAL LINGUISTIC. Translated by DOUGLAS AINSLIE, B.A 8vo. 12s. 6d. net. LOGIC AS THE SCIENCE OF THE PURE CONCEPT Translated by DOUGLAS AINSLIE, B.A. 8vo. 14s. net. WHAT IS LIVING AND WHAT IS DEAD OF THE PHILOSOPHY OF HEGEL. Translated by DOUGLAS AINSLIE B.A. 8vo. 10s. net. THE PHILOSOPHY OF BENEDETTO CROCE: The Problem of Art and History. By H. WILDON CARR, Hon. D.Litt. 8vo. 7s. 6d. net. LONDON: MACMILLAN & CO., LTD. End of the Project Gutenberg EBook of A Critical History of Greek Philosophy, by W. T. Stace *** END OF THIS PROJECT GUTENBERG EBOOK CRITICAL HISTORY OF GREEK PHILOSOPHY *** ***** This file should be named 33411.txt or 33411.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/4/1/33411/ Produced by Don Kostuch Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalt
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