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g and sinking into the sea. He felt the earth upon his feet and the touch of grass. Breezes, heavy with green from the land eddied all around him and filled his body and washed him. He heard his name--saw people coming toward him saying, "Welcome." He felt their arms, embracing him. He saw an open city growing among the hills. Its buildings rolled away with the hills of the Earth and became a part of the Earth. The people took him by the hand and led him toward it speaking to him of no one hurting the other, and no one locked in a cell and all the walls of this world outside, tumbled down.... He was happy and repeated the name they spoke to him. "Paul." * * * * * Back in the city, in the room, the wife cried out. The Superfather, too, seeing the strange look on the face of the man inside the chrysalis of the dream-maker, quickly touched the button that raised the lid. He bent down and took the wrist of the cold man lying there. "Dead." "Are you sure?" The Superfather bent still further down and listened to the chest, and the wife came close, and they both stood there, half-bent. The mouth of the dead man was open and the Superfather listened for any faint whisper of breath. The wife listened. They both looked at each other for a long time. Because, from the open mouth of the cold man lying there, faintly, far away, and fading slowly into silence, they heard quiet laughter, and the sound of many birds and voices, and trees rustling in the late afternoon. Then it was gone and no matter how the two people bending there waited and listened, it was like putting their ear to a white stone. End of the Project Gutenberg EBook of Perchance to Dream, by Richard Stockham *** END OF THIS PROJECT GUTENBERG EBOOK PERCHANCE TO DREAM *** ***** This file should be named 32859.txt or 32859.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/8/5/32859/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, s
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