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n among them wants to try it. Nobody stirs, till at last a tipsy country-jake is seen making his way down from one of the top-seats towards the ring. He can hardly walk, he is so drunk, and the clown has to help him across the ring-board, and even then he trips and rolls over on the sawdust, and has to be pulled to his feet. When they bring him up to the horse, he falls against it; and the little fellows think he will certainly get killed. But the big boys tell the little fellows to shut up and watch out. The ring-master and the clown manage to get the country-jake on to the broad platform on the horse's back, and then the ring-master cracks his whip, and the two supes who have been holding the horse's head let go, and the horse begins cantering round the ring. The little fellows are just sure the country-jake is going to fall off, he reels and totters so; but the big boys tell them to keep watching out; and pretty soon the country-jake begins to straighten up. He begins to unbutton his long gray overcoat, and then he takes it off and throws it into the ring, where one of the supes catches it. Then he sticks a short pipe into his mouth, and pulls on an old wool hat, and flourishes a stick that the supe throws to him, and you see that he is an Irishman just come across the sea; and then off goes another coat, and he comes out a British soldier in white duck trousers and red coat. That comes off, and he is an American sailor, with his hands on his hips dancing a hornpipe. Suddenly away flash wig and beard and false-face, the pantaloons are stripped off with the same movement, the actor stoops for the reins lying on the horse's neck, and James Rivers, the greatest three-horse rider in the world nimbly capers on the broad pad, and kisses his hand to the shouting and cheering spectators as he dashes from the ring past the braying and bellowing brass-band into the dressing-room! The big boys have known all along that he was not a real country-jake; but when the trained mule begins, and shakes everybody off, just like the horse, and another country-jake gets up, and offers to bet that he can ride that mule, nobody can tell whether he is a real country-jake or not. This is always the last thing in the performance, and the boys have seen with heavy hearts many signs openly betokening the end which they knew was at hand. The actors have come out of the dressing-room door, some in their everyday clothes, and some with just overcoa
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