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wanted--nor comedy--no, nor even passable melodrama. We sighed for something of a more ethereal sort, and--laud we the gods!--the manna has descended in showers. Go into any of the London theatres now, and the following is your bill of fare. Fairies you have by scores in flesh-coloured tights, spangles, and paucity of petticoats; gnomes of every description, from the gigantic glittering diamond beetle, to the grotesque and dusky tadpole. Epicene princes, whose taper limbs and swelling busts are well worth the scrutiny of the opera-glass--dragons vomiting at once red flames and witticisms about the fountains in Trafalgar Square--Dan O'Connell figuring in the feathers of a Milesian owl--and the Seven Champions of Christendom smoking cigars upon the parapets of Hungerford Bridge! All these things have I seen, Bogle, yea, and cheered them to the echo, in company with some thousand Cockneys, all agape at the glitter of tinselled pasteboard, and the glories of the Catharine-wheel. Such is the intellectual banquet which London, queen of literature, presents to her fastidious children! The form of dramatic composition now most in vogue is the burlesque; or, in the language of the great Planche, "the original, grand, comic, romantic, operatic, melo-dramatic, fairy extravaganza!" There is a title for you, that would have put Polonius to the blush. I have invested some three shillings in the purchase of several of these works, in order that I might study at leisure the bold and brilliant wit, the elegant language, and the ingenious metaphors which had entranced me when I heard them uttered from the stage. I am now tolerably master of the subject, and therefore beg leave, before condescending upon details, to hand you a recipe for the concoction of one of these delectable dishes. Take my advice, and make the experiment yourself. Red Riding-Hood, I think, is still a virgin story; but, unless you make haste, she will be snapped up, for they are rapidly exhausting the stores of the "_Contes des Fees_." Alexander will probably give you something for it, or you can try our old friend Miller at the Green. The process is shortly this. Select a fairy tale, or a chapter from the Arabian Nights; write out the _dramatis personae_, taking care that you have plenty of supernaturals, genii, elves, gnomes, ghouls, or vampires, to make up a competent _corps de ballet_; work out your dialogue in slipshod verse, with as much slang repartee as you p
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