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ves and cherished dreams of infancy? Such were our feelings, nor could it well be otherwise; for Tieck was, and is, a poet of the highest grade--not a playwright and systematic jest-hunter; and would as soon have put forth his hand in impious challenge against the Ark, as have stooped to become a buffooning pander to the idle follies of the million. It remained for England--great and classic England--no, by heavens! I will not do her that wrong--but for London, and London _artists_!--I believe that is the proper phrase--after having exhausted every other subject of parody, sacred and profane, to invade the sanctuary of childhood, and vulgarize the very earliest impressions which are conveyed to the infant. Are not the men who sit down deliberately to such a task more culpable than even the nursery jade who administers gin and opium to her charge, in order that she may steal to the back-door undisturbed, and there indulge in surreptitious dalliance with the dustman? Far better had they stuck to their old trade of twisting travesties from Shakespeare for the amusement of elderly idiots, than attempted to people Fairyland with the palpable denizens of St Giles. The Seven Champions of Christendom, indeed! They may well lay claim to the title of Champions of Cockneydom incarnate, setting forth on their heroic quest from the rendezvous in the Seven Dials. Let us look a little into their individual feats, although I must needs say, that the whole of these productions bear a marvellous resemblance to each other. There is no more variety in any of them than can be found in the copious advertisements of the Messrs Doudney. Still, it cannot but be that some gems shall scintillate more than others, or, at all events, be of coarser and duller water. With conscious impartiality, and without imputing the palm of slang to any particular individual, I shall give the precedence to Gemini, and their last approved duodecimo. Messrs Taylor and Smith have bestowed upon the public three dramas--to wit, Valentine and Orson, Whittington and his Cat, and Cinderella. I have not been fortunate enough to meet with the earlier portions of this trilogy; but I have got by me Cinderella, of which title the authors, with characteristic purity, confess "'Twould be proper _er_ To say, 'La Cenerentola,' from the opera." You shall have a specimen, Bogle, of this extremely racy production, which I strongly recommend you to keep in view as model. Y
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