_Vernon Lee and Anstruther-Thomson._ Beauty and Ugliness,
1912 (contains abundant quotations from most of the above works
and other sources).
VII. _Ribot._ Le Role latent des Images Motrices. Revue
Philosophique, March 1912.
VIII. _Witasek._ Psychologie der Raumwahrnehmung des Auges
(1910). These two last named are only indirectly connected with
visual aesthetics.

For art-evolutional questions consult:
IX. _Haddon._ Evolution in Art, 1895.
X. _Yrjoe Hirn._ Origins of Art, Macmillan, 1900.
XI. _Levinstein._ Kinderzeichnungen, Leipzig, 1905.
XII. _Loewy._ Nature in early Greek Art (translation), Duckworth,
1907.
XIII. _Delia Seta._ Religione e Arte Figurata, Rome, 1912.
XIV. _Spearing._ The Childhood of Art, 1913.
XV. _Jane Harrison._ Ancient Art and Ritual, 1913.

INDEX

Aesthetic:
aridity, 136-7;
imperative, 99-100;
irradiation, 147-52;
purification, 149-52;
responsiveness, active nature of, 128-36;
habit and familiarity affecting, 134-6
Altamira cave frescoes, 95
Art:
differential characteristic of, 116-18;
non-aesthetic aims of, 99-100, 137-8; utility of, 153-5
Aspect:
aesthetics concerned with, 15, 21, 105;
shape the determining feature of, 26-8
Attention, a factor distinguishing perception from sensation, 32

Balfour, H., 95
Beautiful:
aesthetic irradiation proceeding from use of adjective, 147-8;
attitude implied by use of adjective, 2-7, 18-19;
empathy the chief factor of preference, 67-8;
implies desire for reiterated perception, 53-4
Botticelli, 83
Brahms' _German Requiem,_ 150
Browning's _Abt Vogler,_ 141

Coleridge's _Ode to Dejection,_ 131
Colour, passive reception of, 23-4, 29
Contemplative satisfaction marking aesthetic attitude, 8-15
Correggio's _Danae,_ 151
Cubic Existence:
perception of, 85;
pictorial suggestion of, importance attached to, discussed, 101-5

_Discobolus,_ 115

Einfuehlung, 59;
misinterpretations of, 66-7
Emotion, storage and transfer of, 139-46
Empathy, 61-69;
complexity of movements of lines, 78-83;
movements of lines, 70-77;
second element of shape-perception, 59-60
Extension existing in perception, 35-8

Fechner, 130

Hildebrand, 102, 118

Inner Mimicry, 74-5

James, W., 153

Keats' _Grecian Urn,_ 77

Levinstein, 96
Lipps, 66
Locomotion of Things, distinction between, and empathic
movement of lines, 111-16
L